Examines the intersection of shame, gender and writing in contemporary literature
Considers the particular intersection of shame, gender and writing in literature produced since the 1990sViews shame as a constitutive factor in the social construction and experience of femininityAnalyses a diverse range of texts from pulp to literary fiction to life writing and autofiction, with a self-reflexive focus on the formal disjunctions produced by/in the writing of shame, and on the shame attending the act of writing itselfOffers political readings of neglected genres (lesbian pulp fiction), highly topical texts (like Kraus’s I Love Dick and Knausgaard’s My Struggle), and established authors (such as Mary Gaitskill, A.M. Homes, Rupert Thomson)
Through readings of an array of recent texts – literary and popular, fictional and autofictional, realist and experimental – this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.
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Kaye Mitchell is Senior Lecturer in Contemporary Literature and Director of the Centre for New Writing at the University of Manchester. She has published three monographs, most recently Writing Shame: Contemporary Literature, Gender and Negative Affect (2020). Her editorial publications include a collection of essays on the British author Sarah Waters (2013), a special issue of Contemporary Women’s Writing (2015) on experimental women’s writing, and a co-edited collection of essays (with Nonia Williams), British Avant-Garde Fiction of the 1960s (2019). Kaye is the UK editor of the journal Contemporary Women’s Writing, is on the editorial board of Open Gender in Germany and C21 in the UK, and is a series editor of Bloomsbury’s ‘Contemporary Critical Perspectives’ series.
Examines the intersection of shame, gender and writing in contemporary literatureThrough readings of an array of recent texts – literary and popular, fictional and autofictional, realist and experimental – this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.Kaye Mitchell is Senior Lecturer in Contemporary Literature at the University of Manchester.
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Paperback. Zustand: New. Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page. Bestandsnummer des Verkäufers LU-9781474461856
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Paperback. Zustand: New. Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page. Bestandsnummer des Verkäufers LU-9781474461856
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Paperback. Zustand: new. Paperback. Examines the intersection of shame, gender and writing in contemporary literatureConsiders the particular intersection of shame, gender and writing in literature produced since the 1990sViews shame as a constitutive factorin the social construction and experience of femininityAnalyses a diverse range of texts from pulp to literary fiction to life writing and autofiction, with a self-reflexive focus on the formal disjunctions produced by/in the writing of shame, and on the shame attending the act of writing itselfOfferspolitical readings of neglected genres (lesbian pulp fiction), highly topical texts (like Kraus's I Love Dick and Knausgaard's My Struggle), and established authors (such as Mary Gaitskill, A.M. Homes, Rupert Thomson)Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page. Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781474461856
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