Beloved actress and bestselling author Shirley MacLaine contemplates a wealth of subjects from the mundane to the esoteric in this all-new collection of musings that begin with two simple words: What if…
“Sometimes I think that speculation is more fun than knowledge. I just turn the answers into more questions anyway.”
Beloved actress and bestselling author Shirley MacLaine contemplates a host of intriguing topics from the everyday to the esoteric in this all-new collection of ideas and observations, each of which begins with two simple, powerful words: What if?
Taking this as her starting point, Shirley explores a wide range of matters—spiritual and secular, humorous and profound, earthbound and inter-galactic, personal and universal. From big questions about family, friendship, politics, war, and religion, her gaze lifts even higher. A famous trailblazer in making topics such as reincarnation and past-life therapy mainstream, Shirley now takes the lead in opening her mind to crucial questions about the existence of life on other planets, what that means for those of us on Earth, and about the true genetic ancestry of humankind. Along the way, she reflects on joining the talented cast of Downton Abbey, receiving the prestigious American Film Institute Lifetime Achievement Award, and introducing a new puppy into her formerly one-dog home.
From Shirley’s “What if” questions emerges a striking portrait of a constantly curious woman who thrills to new ideas and discoveries—all while enjoying one of the most extraordinary and enduring careers in Hollywood. As Shirley says, “I like to think that I’m open to exploring anything, always questioning, trying to live free of preconceptions and blind certainties.” What if . . . captures the one and only Shirley MacLaine at her witty, acerbic, imaginative, and irresistible best.
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Shirley MacLaine has appeared in more than fifty films, has been nominated for an Academy Award six times, and received the Oscar for Best Actress in 1984 for Terms of Endearment. She also recently starred in the hit TV show Downton Abbey. A longtime outspoken advocate for civil rights and liberties, she is the author of ten international bestsellers. She lives in Malibu, California, and Santa Fe, New Mexico.
INTRODUCTION
It’s Good Friday 2013, and I’m wondering what’s so “good” about it. It seems that everywhere I go things are falling apart or a mess: wind and rain are turning into superstorms; road rage is an epidemic, maniacs behind the wheel even here in Santa Fe; shootings on freeways in L.A.; emotional terrorism from people in positions of authority in airports. On a daily basis packages are lost, products are defective, repairs never work, workmen don’t show up, computers crash, the cable goes out. Asteroids and meteors fall to Earth, and governments are too paralyzed to help their people or themselves. Everyone talks about money all the time and where to get “a deal.” People answer questions with more questions. New Yorkers plow ahead down the sidewalks or in the streets, not blinking at crippling traffic or noticing the ear-shattering noise of seemingly endless construction. Angelinos build their fences higher and bury their heads deeper. Nobody seems to talk with clarity. I just want to stay at home either in Malibu or Santa Fe. What is happening? Is this daily trauma of a thousand small pecks a wake-up call telling us that we, the human race, may simply have gone too far for a cleanup?
It’s actually become a bad comedy to me: nothing works. Our once-disciplined work ethic has evaporated, and many people seem to be just waiting for time off so they can indulge in another handful of painkillers. People complain about unemployment, but for the most part, they don’t like what they do anyway.
Thank goodness that’s not my story. In my line of work, I’ve gotten to be a whole host of other people and I’ve gotten paid pretty well for it. But the truth is I’m not unique. All of us are really a collection of assorted people. Each of us is a myriad of personalities and identities; most of us simply have not caught up to the richness and complexity of who we really are. I am beginning to believe we are our own best entertainment. To paraphrase that wise man named Shakespeare, we are simply actors in our own self-created plays, believing that the fiction that we fancy is real.
Working in Hollywood, I live in a “what if” world, where there are multiple blue-sky meetings before any project: “What if the leading man is ugly instead of handsome?” “What if he doesn’t die in the end?” “What if we think he’s dead, but he’s not?” Over the years, I’ve noticed that all these what-ifs in my “reel” life have led me to adopt a similarly speculative stance in my “real” life. There’s a lot to be gained from asking yourself, “What if . . .”
For example, what if, on this Good Friday a couple of thousand years ago, Jesus didn’t die on the Cross, but instead got married, had children, and traveled incognito for the rest of his life? What if Mary Magdalene was the missing mistress in the Last Supper paintings? What kind of impact would that have on the modern-day Church, its teachings, its sense of itself? There have been books bragging about various authors’ research into such matters, and I’ll admit I have read most of them, but not many exploring what such a fact would mean. I subscribe to the saying “One man’s sacrilege is another man’s truth.” I like to think that I’m open to exploring anything, always questioning, trying to live free of preconceptions and blind certainties.
It’s fun to speculate—it’s an entertainment, and entertainment is my life. I’ve always believed that I owe my talent to my innate curiosity more than anything else. To me, imagination is more sacred and powerful than knowledge. Maybe we have even imagined ourselves into believing we are real when in fact we are a grand illusion dreamed up by some other species. Perhaps Shakespeare was right after all—and I mean literally correct, not metaphorically—when he wrote, “All the world’s a stage, / And all the men and women merely players; / They have their exits and their entrances, [births and deaths] / And one man in his time plays many parts [has many identities] . . .” I know several intelligent scientists who believe it might be possible to prove that the human race and our dramatic shenanigans are actually an extraterrestrial pageant of some kind, with actors (that would be us!) who believe wholeheartedly in their characters’ dramatic story arc—a “reality television” of sorts for the ETs.
That may be true, but I’m mindful of Stephen Hawking’s warning: “Be careful of embracing extraterrestrial life, should there be such a thing. Remember what happened to the natives in North America with the arrival of the white man.” That was a pretty bad “scene,” wouldn’t you say?
Stephen himself is a wonderful example of sophisticated, yet practical, illusion. It seems that he is confined to his wheelchair, incapable of moving anything but his right eye. But I believe he travels and moves about with more brilliance and curiosity than any other living person. I believe he leaves his body and soars in exploration of the cosmos, returning with reports of black holes and otherworldly civilizations.
I know him because for a time we had the same publisher. We met at parties and formed a friendship. When he’d come to America, I’d host parties for him, inviting people who weren’t exactly part of my usual crowd, but I loved meeting them.
He has two pictures over his desk at Cambridge University: one of Marilyn Monroe and one of Albert Einstein. He told me (through his electronic chair) that “the curves of the universe are as beautiful as Miss Monroe.” He also told me, and he has said so publicly, that he is certain he is the reincarnation of Sir Isaac Newton. He was born exactly three hundred years after Sir Isaac died, and he holds the Newton Chair at Cambridge.
Stephen Hawking is both a grand and a simple man. His intellect is without bounds, but it’s his humor and wit that attract me. When he was more agile, I used to watch him gleefully maneuver his “golden” wheelchair around the streets of Cambridge, defying anyone to get in his way. The word spread quickly around the campus that Stephen was on the loose again—Be alert!
When I was in the United Kingdom shooting Downton Abbey in 2012, I emailed him, and he invited me to lunch, but I received the invitation a day late. I was crestfallen. It made me ask myself whether the speed of a loving thought was faster than the speed of light (186,282.397 miles a second) and if I had missed his invitation because of it. I called him and, through his caretaker, asked him the question. He took a while before he answered via his chair. “The two are not comparable,” he said, making me laugh by giving such a scientific answer to my more “philosophical” question.
Maybe the truth is that nothing is comparable to anything else, particularly if each of us is our own universe and we create everything around us. That probably sounds like New Age blather, I know. But what if it’s true? I sit and talk with other people, confident in my belief that they are actually there, but what if they are only in my creative daytime dream, just as they might sometimes turn up in my dreams at night? Even more important—what if my night dreams are the expression of my internal yin (female) side, and the daytime dream reality is an expression of my more demonstrative external yang (male) side? What if each of us needs to respect the night and day illusions equally?
I would have...
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