Críticas:
"Clever, compelling, and not for the faint hearted. Joe Middleton is the guiltiest 'innocent man' in crime fiction."--Michael Robotham, internationally bestselling author of Watching You
Praise for THE LAUGHTERHOUSE:
"An intense adrenalin rush from start to finish, I read The Laughterhouse in one sitting. It'll have you up all night. Fantastic!"--S.J. Watson, New York Times bestselling author of Before I Go to Sleep
Praise for TRUST NO ONE:
"A gripping thriller. TRUST NO ONE draws us into a world where truth blends with delusion. This story of a writer losing his memory and bearings pulls us into a maze where fiction blurs into murder. I couldn't put it down."--Meg Gardiner, Edgar Award winning author
Praise for TRUST NO ONE:
A gripping thriller. TRUST NO ONE draws us into a world where truth blends with delusion. This story of a writer losing his memory and bearings pulls us into a maze where fiction blurs into murder. I couldn t put it down. --Meg Gardiner, Edgar Award winning author"
Clever, compelling, and not for the faint hearted. Joe Middleton is the guiltiest 'innocent man' in crime fiction. --Michael Robotham, internationally bestselling author of Watching You"
Praise for THE LAUGHTERHOUSE:
An intense adrenalin rush from start to finish, I read The Laughterhouse in one sitting. It ll have you up all night. Fantastic! --S.J. Watson, New York Times bestselling author of Before I Go to Sleep"
Praise for TRUST NO ONE:
A gripping thriller. TRUST NO ONE draws us into a world where truth blends with delusion. This story of a writer losing his memory and bearings pulls us into a maze where fiction blurs into murder. I couldn t put it down. --Meg Gardiner, Edgar Award winning author"
Praise for THE LAUGHTERHOUSE:
An intense adrenalin rush from start to finish, I read The Laughterhouse in one sitting. It ll have you up all night. Fantastic! --S.J. Watson, New York Times bestselling author of Before I Go to Sleep"
Praise for TRUST NO ONE:
"A gripping thriller. TRUST NO ONE draws us into a world where truth blends with delusion. This story of a writer losing his memory and bearings pulls us into a maze where fiction blurs into murder. I couldn't put it down."--Meg Gardiner, Edgar Award winning author
Praise for THE LAUGHTERHOUSE:
"An intense adrenalin rush from start to finish, I read The Laughterhouse in one sitting. It'll have you up all night. Fantastic!"--S.J. Watson, New York Times bestselling author of Before I Go to Sleep
Reseña del editor:
A “powerhouse novel.” —Booklist
“This thriller is one to remember.” —New York Journal of Books
“Cleave’s whirligig plot mesmerizes.” —People magazine (People Pick)
“This outstanding psychological thriller forces the reader to reconsider what is real.” —Publishers Weekly (starred review)
“A vivid, jangled exploration of mental illness, dark imagination, and the nowhere territory in between.” —Kirkus Reviews
In this exciting psychological thriller by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.
Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?
Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.
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