This updated textbook provides students with instruction in how to analyze film images for the meanings they contain.
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Michael Ryan is Emeritus Professor in the Center for the Arts at Temple University, USA. His books include Marxism and Deconstruction (1982), Politics and Culture (1989), Camera Politica (1988), An Introduction to Criticism (2012), and Literary Theory: A Practical Introduction (2017). His book, Politics and Evolution: Conservatism and Liberalism in Human History, is forthcoming. He is at work on a book entitled The Politics of Form.
Melissa Lenos is Senior Director of Graduate Advising and Engagement for the Humanities at the University of Pittsburgh, USA.
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Paperback. Zustand: New. An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:-the basic technical terms-shot-by-shot analyses of film sequences-set design, composition, editing, camera work, post-production, art direction and more-each chapter provides clear examples and full colour images from classic as well as contemporary filmsRyan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead. Bestandsnummer des Verkäufers LU-9781501318542
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Paperback. Zustand: new. Paperback. An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:-the basic technical terms-shot-by-shot analyses of film sequences-set design, composition, editing, camera work, post-production, art direction and more-each chapter provides clear examples and full colour images from classic as well as contemporary filmsRyan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead. "This updated textbook provides students with instruction in how to analyze film images for the meanings they contain"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781501318542
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Paperback. Zustand: New. An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:-the basic technical terms-shot-by-shot analyses of film sequences-set design, composition, editing, camera work, post-production, art direction and more-each chapter provides clear examples and full colour images from classic as well as contemporary filmsRyan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead. Bestandsnummer des Verkäufers LU-9781501318542