This book charts the interaction between music and the visual arts from late Romanticism through to the birth of modernism and emergence of postmodernism, from Franz Liszt to Riot Grrrl.
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Diane V. Silverthorne is a 'Vienna 1900' scholar and Research Lecturer in Cultural Studies, University of the Arts, London, UK.
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Zustand: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading! Bestandsnummer des Verkäufers STM.4D7
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Paperback. Zustand: New. Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the interaction between music and the visual arts from late Romanticism through to the birth of modernism and emergence of postmodernism, while crossing from Western art to the Middle East. Focusing on music as a central experience of art and life, the essays in this volume scrutinize the musicalization of art focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and-silence and time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the "isms" of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated. Bestandsnummer des Verkäufers LU-9781501376528
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Zustand: new. Bestandsnummer des Verkäufers LPSSTKGPOL
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers HU-9781501376528
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers HU-9781501376528
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Zustand: New. 2021. Paperback. . . . . . Bestandsnummer des Verkäufers V9781501376528
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Zustand: New. pp. 288. Bestandsnummer des Verkäufers 379208326
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Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781501376528
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