Following the dissolution of the Ottoman Empire in the early 1920s, an emerging nation state built a particular relationship with the Ottoman past. In its simultaneous disavowal and inheritance of it, this was the new Republic of Turkey, founded in 1923. Nation-states are areas of ideological contestation. However, they are equally visible and tangible. This is thanks to the making of a new world of artefacts in build or print that represent and commemorate them in many, often contradicting ways through design practices. This book offers a thorough account of this new Turkish material world through the trajectories of commemoration; from public monuments, print media, and festive illumination to temporary and permanent architecture from the onset of the 1908 Young Turk revolution to the demise of Turkey’s founding single-party regime in the late 1950s. If objects are silent actors of history, their confessions await. -- .
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Artun Ozguner is a Senior Lecturer in Contextual and Theoretical Studies at the University for the Creative Arts -- .
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Hardcover. Zustand: new. Hardcover. Following the dissolution of the Ottoman Empire in the early 1920s, an emerging nation state built a particular relationship with the Ottoman past. In its simultaneous disavowal and inheritance of it, this was the new Republic of Turkey, founded in 1923. Nation-states are areas of ideological contestation. However, they are equally visible and tangible. This is thanks to the making of a new world of artefacts in build or print that represent and commemorate them in many, often contradicting ways through design practices. This book offers a thorough account of this new Turkish material world through the trajectories of commemoration; from public monuments, print media, and festive illumination to temporary and permanent architecture from the onset of the 1908 Young Turk revolution to the demise of Turkey's founding single-party regime in the late 1950s. If objects are silent actors of history, their confessions await. This book examines the role of artefacts and design practice in representing and commemorating a new political community of Turks within the cultural transformation from empire to nation-state between 1908-50s. It offers an expanded understanding of nation-building within global, public as well as top-down official agencies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781526176233
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Hardcover. Zustand: new. Hardcover. Following the dissolution of the Ottoman Empire in the early 1920s, an emerging nation state built a particular relationship with the Ottoman past. In its simultaneous disavowal and inheritance of it, this was the new Republic of Turkey, founded in 1923. Nation-states are areas of ideological contestation. However, they are equally visible and tangible. This is thanks to the making of a new world of artefacts in build or print that represent and commemorate them in many, often contradicting ways through design practices. This book offers a thorough account of this new Turkish material world through the trajectories of commemoration; from public monuments, print media, and festive illumination to temporary and permanent architecture from the onset of the 1908 Young Turk revolution to the demise of Turkey's founding single-party regime in the late 1950s. If objects are silent actors of history, their confessions await. This book examines the role of artefacts and design practice in representing and commemorating a new political community of Turks within the cultural transformation from empire to nation-state between 1908-50s. It offers an expanded understanding of nation-building within global, public as well as top-down official agencies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781526176233
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