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Jacob Scheier is the winner of the 2003 Art Bar Discovery Night and was a finalist for CBC Radio's Second Annual Poetry Face-Off. His poetry has been published in the literary journals "Descant "and "The White Wall Review." He lives in Toronto, Ontario.
I quickly approaching the beginning,
The Voices,
Genesis,
Big Band Music,
How to Wrestle an Angel,
Genesis of Falling Out,
That Night,
Harold and Maude,
I'm Not Here for Sushi,
A Joke,
Last Throes,
Winter (an apology),
Apollo,
Stuff,
My Religious Upbringing,
The Language of Our People,
When the Revolution Comes,
Footage from Haifa,
Red Diaspora,
II here, poetry can't hurt you,
Kaddish for 1956,
Breakfast Poem,
Alexandria,
North America,
Dear Office of Homeland Security,
Blazon for a Stranger,
Method Suicide,
Women,
Fear and Trembling (Regine Olsen's Lament),
Your Haunted House,
Twenty Minutes Away in Another Continent,
Istanbul,
Love Poem,
Realism and Anti-Realism,
Kaddish for Ariel Sharon,
What Keeps Me Up at Night,
III can it ever be cancelled?,
November Elegy,
Tricking into Suicide,
Collecting,
Ghosts,
God,
Christmas,
Di,
Pachelbel's Canon,
Ghost Story,
Untitled,
In Her Voice,
Choice,
quickly approaching the beginning
THE VOICES
It's alright for the rich and the healthy to keep still;
no one wants to know about them anyway.
But those in need have to step forward,
have to say: I am blind,
or, I am about to go blind,
or, nothing is going well with me,
or, I have a child who is sick,
or, right here I'm sort of glued together.
And probably that isn't enough.
They have to sing; if they didn't sing, everyone
would walk past, as if they were fences or trees.
That's where you hear the good singing.
People are strange: they prefer
to hear castratos in choirs.
But God himself comes and stays awhile
when the world of torn and cut people starts to humble him.
"The Voices" is a collaborative translation, with Di Brandt, of Rainer Maria Rilke's "Title Poem for The Voices"
GENESIS
"The perceptual disturbances may include ... trailing images (images left suspended in the path of a moving object as seen in stroboscopic photography), perceptions of entire objects, afterimages (a same-colored or complementary-colored 'shadow' of an object remaining after the removal of the object), halos around objects ..."
— Description of Hallucinogen Persisting Perception Disorder, DSM IV
1. First there was the word
and I only had sounds.
First there was the word:
mother
taught me the names
of the fowl of the air
and every beast in the field,
and father
was no word for the absence
of mother,
my name,
lost somewhere inside her,
before it reached
her mouth, still (and) open.
2. In the beginning
of without
the word, I named again
the air and field
sounds clumped together
and lit the open mouth
in the face of the deep.
3. And it was good
enough.
4. But He said unto me:
it can always be better
and He had many letters after his name,
blessing him
with authority.
He cured,
not with touch or speech,
but something small and round
to swallow.
When I doubted,
when I said I can slither through it,
He spoke unto me: you do not know
what I know,
and held out the thin branch of his arm
and I followed,
I obeyed.
5. And on the seventh day
the earth collapsed.
On the seventh day
I lost part of my sight.
6. First there was the word
and it was blurred.
The shadow of each letter
ate into the next.
And darkness was upon the face of the deep.
7. The names (again) turned to absence.
I could not call this smeared yellow thing
a flower.
I could not name this thing,
encircled in a ghostly halo
and spraying light in a hundred directions,
the moon.
Without names,
I was not master of the animals,
but lost amongst monsters.
BIG BAND MUSIC
It is music which could only be written before the second war,
before the soundtrack of Europe was composed by mice
running along piano keys.
It is music meant for how our bodies used to be,
before the dance steps we learned
became a talent for avoiding the land mines beneath our feet.
There is something in the pace of the rhythm,
how it doesn't slow to take in a landscape,
how it assumes the world will still be there
when the music stops.
The song is replaced by the hourly news,
the wars which are now commercials between melodies.
I turn off the radio and lie still
taking in all the sounds my body makes
when all else is quiet.
How fragile and clumsy this machinery seems.
I am lying here waiting for an assassin
with the wrong address
or something heavy
like love or a piano
to fall on me.
I am surprised that just once
my heart hasn't...
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