Written in an encouraging and accessible way, this unique textbook is about how to compose with sound—how to make powerful podcast episodes, audio essays, personal narratives, and audio documentaries. Using ideas and language from rhetoric and writing studies as well as the authors’ extensive personal experiences with soundwriting, this book teaches new and more experienced soundwriters how to approach the world with a listening ear and body, determine a natural and productive writing process, target the perfect audience, use such rhetorical tools as music and sound effects, and work in an audio editing program.
The many exercises throughout the book and the supportive resources on a companion website will help budding makers strengthen their practical skills and deepen their understanding of what it takes to make compelling audio projects.
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Tanya K. Rodrigue is Associate Professor of English at Salem State University. Kyle D. Stedman is Associate Professor of English at Rockford University.
Written in an encouraging and accessible way, this unique textbook is about how to compose with sound--how to make powerful podcast episodes, audio essays, personal narratives, and audio documentaries. Using ideas and language from rhetoric and writing studies as well as the authors' extensive personal experiences with soundwriting, this book teaches new and more experienced soundwriters how to approach the world with a listening ear and body, determine a natural and productive writing process, target the perfect audience, use such rhetorical tools as music and sound effects, and work in an audio editing program.
The many exercises throughout the book and the supportive resources on a companion website will help budding makers strengthen their practical skills and deepen their understanding of what it takes to make compelling audio projects.
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Paperback. Zustand: new. Paperback. Written in an encouraging and accessible way, this unique textbook is about how to compose with soundhow to make powerful podcast episodes, audio essays, personal narratives, and audio documentaries. Using ideas and language from rhetoric and writing studies as well as the authors extensive personal experiences with soundwriting, this book teaches new and more experienced soundwriters how to approach the world with a listening ear and body, determine a natural and productive writing process, target the perfect audience, use such rhetorical tools as music and sound effects, and work in an audio editing program.The many exercises throughout the book and the supportive resources on a companion website will help budding makers strengthen their practical skills and deepen their understanding of what it takes to make compelling audio projects. The first accessible guide to writing with sound, designed for undergraduate students and beginning audio writers or podcasters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781554815111
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