English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature.
Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period.
The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William Holman Hunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium.
Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G155595071XI4N00
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:155595071X. Bestandsnummer des Verkäufers 3713884
Anzahl: 1 verfügbar
Anbieter: Dieter Aßhauer Online-Antiquariat, Nuthetal, Deutschland
Hardcover. Zustand: Wie neu. Zustand des Schutzumschlags: Wie neu. 1. Auflage. Like new, without any restrictions. The book block, edges and corners are perfect. No name, dedication or markings inside. 196 pages, format 31 x 24 cm. All photos in the listing were taken by the seller. I am happy to send further photos on request. No shipping to France or Austria. Cross-border delivery may incur additional shipping costs. Bestandsnummer des Verkäufers SCH213
Anzahl: 1 verfügbar
Anbieter: MW Books, New York, NY, USA
1st edition. Fine cloth copy in an equally fine dust-wrapper; now mylar-sleeved. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; 196 pages : illustrations (some color) ; 32 cm. Notes; Catalog of an exhibition held at the Yale Center for British Art, Sept. 9-Nov. 1, 1992, the Cleveland Museum of Art, Nov. 18, 1992-Jan. 3, 1993, and the Birmingham Museum and Art Gallery, Feb. 11-Apr. 12, 1993. Contents; Ch. 1. "They Leave Other Lights behind Them" / Scott Wilcox -- Ch. 2. "The Innocence of the Eye": Ruskin and the Landscape Watercolor / Christopher Newall -- Ch. 3. Landscape in the Watercolor Societies / Scott Wilcox -- Ch. 4. Innovation and Conservatism in the Later Victorian Period / Christopher Newall -- Victorian Landscape Watercolors: Catalogue. Subjects; Newall, Christopher. Yale Center for British Art Exhibitions. 1800-1899. Watercolor painting, British ; Exhibitions. Watercolor painting, Victorian Great Britain ; Exhibitions. Landscape painting, British 19th century ; Exhibitions. Landscape painting, British. Yale Expositions 1992. Landscape painting, British - 19th/20th centuries - 1830s-1910s. 1 Kg. Bestandsnummer des Verkäufers 406602
Anzahl: 1 verfügbar
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USA
Hardcover. Zustand: Used - Very Good. Very nice clean, tight copy free of any marks. Bestandsnummer des Verkäufers 229436
Anzahl: 1 verfügbar
Anbieter: Exquisite Corpse Booksellers, Houston, TX, USA
Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 196 pages. Hardcover exhibition catalogue. Texts in English. Minimal shelfwear to the edges with faint associated rubbing to the covers of the jacket. Else, the binding is tight, the interior clean and free of markings. Bound in blue cloth covered boards and wrapped in an illustrated paper dustjacket. Published on the occasion of the exhibition held at Yale Center for British Art from September 9-November 1, 1982, and subsequently in Cleveland and Birmingham. Bestandsnummer des Verkäufers 024624
Anzahl: 1 verfügbar
Anbieter: MW Books Ltd., Galway, Irland
1st edition. Fine cloth copy in an equally fine dust-wrapper; now mylar-sleeved. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; 196 pages : illustrations (some color) ; 32 cm. Notes; Catalog of an exhibition held at the Yale Center for British Art, Sept. 9-Nov. 1, 1992, the Cleveland Museum of Art, Nov. 18, 1992-Jan. 3, 1993, and the Birmingham Museum and Art Gallery, Feb. 11-Apr. 12, 1993. Contents; Ch. 1. "They Leave Other Lights behind Them" / Scott Wilcox -- Ch. 2. "The Innocence of the Eye": Ruskin and the Landscape Watercolor / Christopher Newall -- Ch. 3. Landscape in the Watercolor Societies / Scott Wilcox -- Ch. 4. Innovation and Conservatism in the Later Victorian Period / Christopher Newall -- Victorian Landscape Watercolors: Catalogue. Subjects; Newall, Christopher. Yale Center for British Art Exhibitions. 1800-1899. Watercolor painting, British ; Exhibitions. Watercolor painting, Victorian Great Britain ; Exhibitions. Landscape painting, British 19th century ; Exhibitions. Landscape painting, British. Yale Expositions 1992. Landscape painting, British - 19th/20th centuries - 1830s-1910s. 1 Kg. Bestandsnummer des Verkäufers 406602
Anzahl: 1 verfügbar
Anbieter: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, Frankreich
Couverture rigide. Zustand: Très bon état. In-4 reliure éditeur sous jaquette, 196 pp. Illustrations couleurs in-4°. Bestandsnummer des Verkäufers 4487
Anzahl: 1 verfügbar
Anbieter: West Coast Bookseller, Moorpark, CA, USA
Hardcover. Zustand: New. Bestandsnummer des Verkäufers T1-770DIA
Anzahl: 1 verfügbar
Anbieter: SHIMEDIA, Brooklyn, NY, USA
Zustand: New. Satisfaction Guaranteed or your money back. Bestandsnummer des Verkäufers 155595071X