Spain’s Golden Age represents a transition from a largely oral tradition toa world in which information and culture were transmitted by way of written orprinted documents. Contemporary theory has done much to elucidate the culturaland aesthetic implications of this transition. Utilizing concepts derived fromsuch theorists as Derrida, Ong, and Austin, this study examines how writing andinscription are foregrounded and problematized in five Golden Age dramas: Elvillano en su rincón, by Lope de Vega; La estrella de Sevilla, of disputedauthorship; El ejemplo mayor de la desdicha, by Mira de Amescua; Cautela contracautela, by Tirso de Molina; and La cisma de Inglaterra, by Calderón de la Barca.
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Charles Oriel is an assistant professor of Spanish at Washington University in St. Louis.
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