The author describes his childhood growing up in Belfast, and looks at how the city has changed from its more prosperous and peaceful past
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Sit down. Have a pint. Listen to the warm lilt of the tongue of the man next to you. You are about to spend a few very pleasant hours in his company. These essays are about Belfast if they are about anything, where Carson grew up and still lives, but he isn't writing, except tangentially, about the Troubles, or Prods and Taigs (Protestants and Catholics). He isn't even writing about guilt, sex, and the darkness of families, like Dermot Healy does in The Bend for Home. Instead, he is exploring memory, a ragbag of quotations, musings as disparate and as compelling as local Belfast stories of the Titanic or the political implications of the tune "Lillibulero." He talks, softly and beguilingly, about old books, old photographs, old dreams, and the semaphore of his father's cigarette in the darkness. He is perhaps most compelling when he is talking about words, especially words in Irish, and he hunts down their byzantine etymologies with a raptor's precision. GraceAnne A. DeCandido
The playful, enchanting contiguities of Irish poet Carson's memoir (which is as much a portrait of the city of Belfast as it is of one of its denizens) are just as skilled as those in Nabokov's standard, Speak, Memory, and are even somewhat bolder. One chapter is linked to another by the resonance of a simple word, as if Carson is doing a kind of poet's math (e.g., the study of small photographs leads to a chapter on childhood stamp collecting, which leads to a discussion of the General Post Office rebellion that led to a divided Ireland, a divided Belfast and, ultimately, to Carson's fractured and carefully reconstituted experience). Therein, however, lies the problem: the memoirist is forced to rely on tricks to give shape and life to a story that resists both. It's not Carson who's to be blamed for this, however, but his subject, the city of Belfast (where Carson grew up a Catholic) and the troubles, economic and political, that have bedeviled it for decades. However lovingly recalled?Radio Ulster, the building of the Titanic?and no matter how imaginatively re-created, as with the Star Factory of the title (a Belfast industrial structure "long since demolished" but leaving "an interactive blueprint; not virtual, but narrative reality"), Belfast itself cannot be stirred. It seems dead. Unlike Nabokov, who had a revolution and exile to write about, Carson is trapped in a city he's unable to turn away from, its dark, smoking decline reflected in his eyes and extraordinary prose. Among the flood of Irish memoirs these days, none are as dazzlingly written as this, and none remain so solidly entrenched in the sovereign space of the imagination.
Copyright 1998 Reed Business Information, Inc.
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 8399450-6
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Anbieter: Once Upon A Time Books, Siloam Springs, AR, USA
hardcover. Zustand: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear . Bestandsnummer des Verkäufers mon0000931163
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G1559704659I4N00
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Anbieter: Last Word Books, Olympia, WA, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. A used book with minor shelf wear and imperfections. Thank you for supporting Last Word Books and independent bookstores. Bestandsnummer des Verkäufers 210446214
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Anbieter: stoney cove books, Cambridge, MD, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. An "elegy" to Belfast, this 1998 first American edition copy is in very good to near fine condition. The uncut (23.95) dust jacket is very good. The book is tight and unmarked--the pages show some age discoloration. Bestandsnummer des Verkäufers 000542
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Anbieter: GridFreed, San Diego, CA, USA
Hardcover. Zustand: New. In shrink wrap. Bestandsnummer des Verkäufers 10-23324
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Anbieter: Linden Avenue Books, Salem, OR, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Conor Brady, jacket illustration (illustrator). First Edition, First Printing. Arcade Publishing, 1997. First Edition, First Printing. Fine in a Fine dustjacket. Square with sharp corners and tight binding. Interior is clean with no markings of any kind. The unclipped dustjacket with original price of 23.95 is clean and crisp with no chips or tears. Protected in mylar. The author, a journalist, poet and musicologist born in Belfast, gives the history of his native city in this collection of essays. Carson tells of ".an era when London, more importantly than Rome, was the hub of the universe." Written as memoir, but often blurring the line between fact and fiction. Carefully packaged and shipped in a sturdy cardboard box. Bestandsnummer des Verkäufers 10187
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Anbieter: SHIMEDIA, Brooklyn, NY, USA
Zustand: New. Satisfaction Guaranteed or your money back. Bestandsnummer des Verkäufers 1559704659
Anbieter: BennettBooksLtd, Los Angeles, CA, USA
Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-1559704659
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Anbieter: Suibhne's Rare and Collectible Books, Newbury, OH, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Arcade Publishing, 1998. Hardcover. Condition: as new 1st American Edition 1st printing full number line. Bestandsnummer des Verkäufers ABE-1614868014761
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