 
    F. Scott Fitzgerald on Authorship assembles Fitzgerald's public and private writings on his trade and craft. The 46 selections in this volume construct an autobiographical account of Fiztgerald's 20-year endeavour to maintain careers as a commercial writer and as a literary artist. In a substantial introduction to the volume, Matthew J. Bruccoli positions Fitzgerald as a case history for the profession-of-authorship approach to American literary history as formulated by William Charvat. Bruccoli challenges familiar myths about Fitzgerald's squandering of fortunes and literary genius, and he exposes the error of segregating Fitzgerald's magazine and movie work from his novels. In his own words, Fitzgerald corrects the most condescending and irksome notion about him - that he was a literary ignoramous who wrote brilliantly without knowing what he was doing. As these letters, notebook entries, book reviews and articles indicate, Fitzgerald reached usable conclusions about the craft of writing, the discipline of authorship and the obligations of literature.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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