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Alle Exemplare der Ausgabe mit dieser ISBN anzeigen:The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
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Buchbeschreibung Zustand: New. New. In shrink wrap. Looks like an interesting title! 1.4. Bestandsnummer des Verkäufers Q-1571813004
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Buchbeschreibung Hardcover. Zustand: new. This item is printed on demand. Bestandsnummer des Verkäufers 9781571813008
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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers ABLIING23Mar2811580062857
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Buchbeschreibung Hardback. Zustand: New. New copy - Usually dispatched within 4 working days. Karina, a professional dancer who fled wartime Germany, and dance historian Kant (U. of Pennsylvania) counter revisionist histories of dance in the Nazi era. In their first-hand accounts and analysis, they emphasize dancers' collaboration with the regime and the regime's infusion of its Aryan/anti-S. Bestandsnummer des Verkäufers B9781571813008
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Buchbeschreibung Hardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Bestandsnummer des Verkäufers C9781571813008
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Buchbeschreibung Zustand: New. Karina, a professional dancer who fled wartime Germany, and dance historian Kant (U. of Pennsylvania) counter revisionist histories of dance in the Nazi era. In their first-hand accounts and analysis, they emphasize dancers' collaboration with the regime and the regime's infusion of its Aryan/anti-S Translator(s): Steinberg, Jonathan. Num Pages: 400 pages, 15 illustrations, bibliographies, index. BIC Classification: 1DFG; ASD; HBT. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 233 x 163 x 31. Weight in Grams: 664. . 2003. First Edition. Hardcover. . . . . Bestandsnummer des Verkäufers V9781571813008
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Buchbeschreibung Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den Autorrnrnn Marion Kant was raised in East Berlin and began dancing at the Comic Opera at the age of 14. She took her PhD at Humboldt University in musicology and dance history and has taught at the Free University of Berl. Bestandsnummer des Verkäufers 448119088
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition. Karina, a professional dancer who fled wartime Germany, and dance historian Kant (U. of Pennsylvania) counter revisionist histories of dance in the Nazi era. In their first-hand accounts and analysis, they emphasize dancers' collaboration with the regime and the regime's infusion of its Aryan/anti-S Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781571813008
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Buchbeschreibung Zustand: New. Karina, a professional dancer who fled wartime Germany, and dance historian Kant (U. of Pennsylvania) counter revisionist histories of dance in the Nazi era. In their first-hand accounts and analysis, they emphasize dancers' collaboration with the regime and the regime's infusion of its Aryan/anti-S Translator(s): Steinberg, Jonathan. Num Pages: 400 pages, 15 illustrations, bibliographies, index. BIC Classification: 1DFG; ASD; HBT. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 233 x 163 x 31. Weight in Grams: 664. . 2003. First Edition. Hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781571813008
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