I Was Vermeer: The Rise and Fall of the Twentieth Century's Greatest Forger - Hardcover

Wynne, Frank

Hardcover

ISBN 10: 1582345937 ISBN 13: 9781582345932

Verlag: Bloomsbury USA, 2006

Inhaltsangabe

Frank Wynne's remarkable book tells the story of Han van Meegeren, a paranoid, drug-addicted, second-rate painter whose Vermeer forgeries made him a secret superstar of the art world―and along the way, it reveals the collusion and ego that, even today, allow art forgery to thrive. During van Meegeren's heyday as a forger of Vermeers, he earned 50 million dollars, the acclamation of the world's press, and the satisfaction of swindling the Nazis. His canvases were so nearly authentic that they would almost certainly be prized among the catalogue of Vermeers if he had not confessed. And, no doubt, he never would have confessed at all if he hadn't been trapped in a catch-22: he had thrived so noticably during the war that when it ended, he was quickly arrested as a Nazi collaborator. His only defense was to admit that he himself had painted the remarkable "Vermeers" that had passed through his hands―a confession the public refused to believe, until, in a huge media event, the courts staged the public painting of what would be van Meegeren's last "Vermeer." I Was Vermeer is an utterly gripping real-life mystery, capturing both the life of the consummate art forger, phenomenally skilled and yet necessarily unrecognized, and the equally fascinating work of the experts who identify forgeries and track down their perpetrators. Wry, amoral, irreverent, and plotted like a thriller, it is the first major book in forty years on this astonishing episode in history.

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Über die Autorin bzw. den Autor

Frank Wynne has translated the work of numerous French and Hispanic authors, including Michel Houellebecq, Patrick Modiano, Javier Cercas, and Virginie Despentes. His work has earned him many prizes, including the Scott Moncrieff Prize, the Premio Valle Inclán, and the IMPAC Dublin Literary Award with Houellebecq for The Elementary Particles. Most recently, his translation of Jean-Baptiste Del Amo’s Animalia won the 2020 Republic of Consciousness Prize.

Rezensionen

The police tracked down Han van Meegeren in 1945 after learning of his connection to a "Vermeer" stashed in the loot of Hermann Goring. Bursting with malevolent pride, van Meegeren made the astonishing admission that he, not Johannes Vermeer van Delft, was the painter--and one of the great art-world scandals was off and running. Wynne's account of van Meegeren's fraud, the first book-length account in English in four decades, contains insights into the mind of a forger as well as narrative verve about van Meegeren's methods of foisting his deceptions upon the Dutch art-history elite. Born in 1889, the youthful van Meegeren began a painting career and received accolades, but his Old Masters style was considered passe. Expert in seventeenth-century technique, Van Meegeren cunningly plotted vengeance by exploiting critics' belief that Christ-themed Vermeers awaited discovery; mirabile dictu, the theorized "Vermeers" turned up in the 1930s and 1940s. An astutely rendered and delicious tale of an infamous forger. Gilbert Taylor
Copyright © American Library Association. All rights reserved

In this intriguing if dry biography, Wynne recounts how Dutch forger Han van Meegeren successfully passed off more than a dozen bogus works—including, most famously, The Supper at Emmaus in 1937—as authentic Vermeers, Halses and de Hooches. Van Meegeren, who favored the style of the old Dutch masters just as modernism was hitting its stride, decided to embarrass his forward-looking critics by creating and selling his own "Vermeer." He continued his charade until he was forced to admit his crimes in 1947 while defending himself against a separate charge of treason. Wynne takes great care in explaining just how the increasingly paranoid and drug-addicted van Meegeren managed to fool the international art community, including a technical breakdown of how van Meegeren employed plastic to create the antique look of cracked craquelure in his canvases. Wynne also ruminates on how the arrogance of the art world—of critics like Abraham Bredius who were so confident in their ability to spot fakes that they brushed aside X-rays and other modern tests, as well as collectors desperate for authenticity—fuels the market for forgeries. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Details zur Ausgabe

• Verlag: Bloomsbury USA
• Erscheinungsdatum: 2006
• Sprache: Englisch
• ISBN 10: 1582345937
• ISBN 13: 9781582345932
• Einband: Gebundene Ausgabe
• Anzahl der Seiten: 288
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: WordUnited GmbH; distribution@wordunited.com; ; Theodorstrasse 105; DUSSELDORF; 40472; Deutschland