The stories of Yasunari Kawabata evoke an unmistakably Japanese atmosphere in their delicacy, understatement, and lyrical description. Like his later works, First Snow on Fuji is concerned with forms of presence and absence, with being, with memory and loss of memory, with not-knowing. Kawabata lets us slide into the lives of people who have been shattered by war, loss, and longing. These stories are beautiful and melancholy, filled with Kawabata's unerring vision of human psychology. First Snow on Fuji was originally published in Japan in 1958, ten years before Kawabata received the Nobel Prize. Kawabata selected the stories for this collection himself, and the result is a stunning assembly of disparate moods and genres. This new edition is the first to be published in English.
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Yasunari Kawabata was a Japanese novelist and short story writer whose spare, lyrical, subtly-shaded prose works won him the Nobel Prize for Literature in 1968.
Chapter One
This
Country,
That
Country
* * *
1.
Takako read "This Country, That Country"in the Sankei Daily Times a second and evena third time on the eve of Culture Day,which is to say on November second. Thecolumn printed curious and interestingarticles about occurrences abroad, more likestories or seeds of stories than hard news.
The previous day's edition had given ratherextensive coverage to an announcement made byEngland's Princess Margaret, in which she had saidthat she would not marry Group Captain Townshendafter all. It was only natural that one of thestories in today's "This Country, That Country"should concern the princess's love affair:
One often comes across mounds of stones in theScottish highlands. In the past, these mounds wereerected in memory of heroes who fell in battle, butnow it's said that lovers who add stones to thesemounds achieve "eternal love." Four years ago, at atime when Princess Margaret and Group CaptainTownshend were both staying in Balmoral, theyplaced a stone on a mound located in the middle ofan overgrown field some three miles outside oftown, swore their love for one another, and by thisact leapt instantly into fame. The princess's loveaffair has now ended.
There was a picture of the mound at the end ofthe article. Its size could be estimated from the sizeof the people who stood around it?the pile itselfwas almost as tall as a man, and the individual stonesthat formed it were a good deal larger than a person'shead. A few stones were as wide across as a person'sshoulders.
Of course it was impossible to tell which of thestones the princess and the group captain had placedon the pile, but none looked as though the princesscould have lifted it alone. She and Group CaptainTownshend must have lifted the stone together, andeven so it must have been heavy.
Gazing at the photograph, Takako tried to imaginethe princess as she would have looked hoisting astone onto the mound with the group captain, butthe image that came was simply an image. Takakofelt no connection to it. Her reading of the articlesin the previous day's paper had left her feeling sorryfor the princess, who had after all been forced bychurch law and by certain customs of the Englishroyal family to abandon her love, but that feelingwas now gone. In some ways yesterday's empathyitself seemed like a foreign story.
Takako was unable to read one of the other storiesin "This Country, That Country" with so muchdetachment, however. The story described two actualcases of "spouse swapping."
The first incident had occurred in Sweden. Twomarried couples, the Polsens and the Petersons, livedin adjacent apartments in a single building in Egresund,a town near Stockholm. Mr. Polsen and Mr.Peterson were friends of long standing, and they andtheir wives had grown so close that they lived essentiallyas a single family. Then, on the twenty-ninth(the article ran on November second, so it musthave been October twenty-ninth), the two husbandsswapped wives?or to look at it from the otherpoint of view, the wives swapped husbands. In short,the couples were divorced and remarried simultaneously.Neither the Petersons nor the Polsens are at allworried about the shock they've given the world,and all four of them are getting along as well as ever,it was reported.
"There are so many marriages that just aren'thappy, where the couple would be better off gettingdivorced," Peterson stated. "There's really nothingstrange about our marrying each other's wives. Inthe end it seemed it'd be better for the children?that'sbasically why we did it."
The Petersons have one child, the Polsens twoinfants. All three children accompanied their respectivemothers when they moved, each into the apartmentnext door.
Another swap took place in the United States inthe state of Wisconsin, where on the twenty-eighth(probably the twenty-eighth of October) a spouse-swappingceremony was held. Forty-three-year-oldMr. Pierce and twenty-nine-year-old Mrs. Piercemarried thirty-two-year-old Mrs. Pemis and thirty-two-year-oldMr. Pemis, respectively. The two weddingswere held consecutively, and each couplehelped out at the other's ceremony.
The couples were interviewed two days later, onthe thirtieth.
"All of us, our children too?we're all extremelypleased."
Each family has three children. As in Sweden, thechildren followed their mothers, who were the onesto move, though here too it was hardly a "move" atall: the couples live in facing houses, on oppositesides of the same street.
The comedy of the (very likely) middle-classspouse-swappers affected Takako more powerfullythan the tragedy of the princess and her mound ofstones because it related directly to her own life.
Or could it be that the spouse-swappers' story wasthe tragedy, and not the story of the princess's love?After all, the article might not have conveyed thespouse-swappers' true feelings, or maybe they hadn'ttold the reporters what they really felt.
Was it really possible that the children?livingright next door to their former apartments, acrossthe street from their old houses?would find thefather-swap "a pleasure?" Was it really "better for thechildren?"
Takako couldn't believe it.
Spouse-swapping wasn't the kind of thing a personcould do ordinarily, of course?certainly anyonepredisposed to tragedy would have a hard timegoing through with it. To think that all four people,two married couples, had felt the same way?itmust be incredibly rare. Indeed, it was preciselybecause it was so rare that the topic had been takenup as international news in the first place, and whythe Japanese newspaper had chosen the story for"This Country, That Country."
The eight Swedes and Americans must have beeneither frivolous pleasure-seekers or lawless rebels?itwas inconceivable that they had thought verydeeply about what they were doing?and they musthave exchanged spouses in the spirit of comedy.Takako was sure this was the case.
Even so, there was no denying that somethingutterly improbable had happened, really happened,twice within the past three or four days?even if ithad happened in distant countries.
Takako, twenty-nine, was certainly well aware thatthings one might assume to be impossible sometimesdo happen in the world. People can bringthemselves to do anything at all, for any reasonwhatsoever. You can never tell what a person mightdo.
But she could never do it herself. She neverwould.
"I suppose all you really need are four peoplewho feel the same way about it?four people out ofan uncountable number?and then it's possible, isn'tit?" she muttered, forcing herself to laugh.
No, it wasn't amazing. It would cause no very terribleinconvenience, it wasn't a crime. And yet "allyou really need" was not something one could honestlysay.
Takako decided that...
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Paperback. Zustand: Good. The stories of Yasunari Kawabata evoke an unmistakably Japanese atmosphere in their delicacy, understatement, and lyrical description. Like his later works, First Snow on Fuji is concerned with forms of presence and absence, with being, with memory and loss of memory, with not-knowing. Kawabata lets us slide into the lives of people who have been shattered by war, loss, and longing. These stories are beautiful and melancholy, filled with Kawabata's unerring vision of human psychology. First Snow on Fuji was originally published in Japan in 1958, ten years before Kawabata received the Nobel Prize. Kawabata selected the stories for this collection himself, and the result is a stunning assembly of disparate moods and genres. This new edition is the first to be published in English. Bestandsnummer des Verkäufers 00109552573
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Paperback. Zustand: Good. The stories of Yasunari Kawabata evoke an unmistakably Japanese atmosphere in their delicacy, understatement, and lyrical description. Like his later works, First Snow on Fuji is concerned with forms of presence and absence, with being, with memory and loss of memory, with not-knowing. Kawabata lets us slide into the lives of people who have been shattered by war, loss, and longing. These stories are beautiful and melancholy, filled with Kawabata's unerring vision of human psychology. First Snow on Fuji was originally published in Japan in 1958, ten years before Kawabata received the Nobel Prize. Kawabata selected the stories for this collection himself, and the result is a stunning assembly of disparate moods and genres. This new edition is the first to be published in English. Bestandsnummer des Verkäufers CIN1582431051G
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