This anthology provides a look at the cross-fertilization between Chinese film and global popular culture. Leading film scholars consider the influence of world cinema on China-related and Chinese-related cinema over the last five decades.
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Tan See-Kam is Associate Professor, Department of Communication, University of Macau, Macao SAR, China. His research mainly focuses on gender and Chinese-language cinema and he has published widely in this area. He is co-editor of Hong Kong Film, Hollywood and the New Global Cinema (2007) and also Hong Kong Alternative Cinema Through the Global Lens (forthcoming).
Peter X Feng is Associate Professor of English and Women’s Studies at the University of Delaware, where he teaches film history, Asian American Studies and Cultural Studies. He is the author of Identities in Motion: Asian American Film and Video and editor of Screening Asian Americans.
Gina Marchetti teaches at the University of Hong Kong in Comparative Literature and is the author of From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 (Temple) and Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction.
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Zustand: New. An anthology that provides a prismatic look at the cross-fertilization between Chinese film and global popular culture. It explores how issues of immigration, class, race and economic displacement are viewed on a global level, providing an understanding of the impact of Chinese filmmaking at home and abroad. Editor(s): See-Kam, Tan; Feng, Peter X.; Marchetti, Gina. Num Pages: 311 pages, 25 halftones, 1 figure. BIC Classification: 1FPC; APF; JFCA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 224 x 150 x 20. Weight in Grams: 431. . 2009. Illustrated. paperback. . . . . Bestandsnummer des Verkäufers V9781592132683
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