A New York Times Book Review Notable Book of the Year by the author of Travel Light, Move Fast
In Cocktail Hour Under the Tree of Forgetfulness Alexandra Fuller returns to Africa and to her unforgettable family, whom readers first met in Don't Let's Go to the Dogs Tonight. At the heart of this family, and central to the lifeblood of her latest story, is Fuller’s iconically courageous mother, Nicola (or, Nicola Fuller of Central Africa, as she sometimes prefers to be known). Born on the Scottish Isle of Skye to a warlike clan of highlanders and raised in Kenya's perfect equatorial light, Nicola holds dear the values most likely to get you hurt or killed in Africa: loyalty to blood, passion for land, and a holy belief in the restorative power of all animals. With a lifetime of admiration behind her and after years of interviews and research, Fuller has recaptured her mother's inimitable voice with remarkable precision. Cocktail Hour Under the Tree of Forgetfulness is as funny, exotic, terrifying and unselfconscious as Nicola herself.
We see Nicola as an irrepressible child in western Kenya, then with the man who fell in love with her, Tim Fuller. The young couple begin their life in a lavender colored honeymoon period, when east Africa lies before them with all the promise of its liquid honeyed light, even as the British empire in which they both once believed wanes. But in short order, an accumulation of mishaps and tragedies bump up against history until the Fullers find themselves in a world they hardly recognize. We follow Tim and Nicola as they hopscotch the continent, restlessly trying to establish a home, from Kenya to Rhodesia to Zambia, even returning to England briefly. War, hardship and tragedy seem to follow the family even as Nicola fights to hold onto her children, her land, her sanity. But just when it seems that Nicola has been broken by the continent she loves, it is the African earth - and Tim's acceptance of her love for this earth - that revives and nurtures her.
A story of survival and war, love and madness, loyalty and forgiveness, Cocktail Hour Under the Tree of Forgetfulness is an intimate exploration of the author’s family and of the price of being possessed by this uncompromising, fertile, death-dealing land. In the end we find Nicola and Tim at a table under their Tree of Forgetfulness in the Zambezi Valley on the banana and fish farm where they plan to spend their final days. In local custom, the Tree of Forgetfulness is where villagers meet to resolve disputes and it is here that the family at last find an African kind of peace. Following the ghosts and dreams of memory, Cocktail Hour Under the Tree of Forgetfulness is Alexandra Fuller at her very best.
Alexandra Fuller is also the author of the novel Quiet Until the Thaw.
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Alexandra Fuller was born in England in 1969. In 1972, she moved with her family to a farm in southern Africa. She lived in Africa until her midtwenties. In 1994, she moved to Wyoming. Fuller is the author of several memoirs, including Travel Light, Move Fast, Leaving Before the Rains Come, and Don't Let's Go to the Dogs Tonight.
Nicola Fuller of Central Africa Learns to Fly
Our Mum—or Nicola Fuller of Central Africa, as she has on occasion preferred to introduce herself—has wanted a writer in the family as long as either of us can remember, not only because she loves books and has therefore always wanted to appear in them (the way she likes large, expensive hats, and likes to appear in them) but also because she has always wanted to live a fabulously romantic life for which she needed a reasonably pliable witness as scribe.
“At least she didn’t read you Shakespeare in the womb,” my sister says. “I think that’s what gave me brain damage.”
“You do not have brain damage,” I say.
“That’s what Mum says.”
“Well, I wouldn’t listen to her. You know what she’s like,” I say.
“I know,” Vanessa says.
“For example,” I say, “lately, she’s been telling me that I must have been switched at birth.”
“Really?” Vanessa tilts her head this way and that to get a better view of my features. “Let me have a look at your nose from the other side.”
“Stop it,” I cover my nose.
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