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Martha Elliott has been a journalist for almost 40 years. She was mentored in graduate school by veteran journalist Fred W. Friendly and became his colleague, producing award-winning television programs and writing three books and numerous articles and speeches. She has run a newspaper and has also taught at Columbia and at the secondary school level. The recipient of many awards, her most recent is Vassar’s Time Out Grant for 2014-15 to write a novel.She has three children and several grandchildren and lives in Maine.
MARTHA ELLIOTT has been a journalist for nearly forty years, working primarily in television and newspapers. With her mentor and longtime collaborator Fred Friendly, she wrote several books and produced hundreds of television programs for PBS. Elliott has written for publications from The New York Times to Slate and has won five Silver Gavel awards from the American Bar Association and a Peabody Award, among other honors. For a decade, she taught at the Columbia Graduate School of Journalism.
It was almost noon when Michael Bruce Ross, convicted serial killer, walked into the crowded courtroom—all 240 pounds of him, the man who had brutally raped and strangled eight young women. He no longer resembled the lanky, bespectacled, nervous-looking young man who had originally gone to trial more than a decade before; sedentary prison life, prison food, and hormone treatments changed all that. His six-foot frame carried the weight that he jokingly claimed to have gained so that he wouldn’t fit into the electric chair, Connecticut’s method of execution at the time of his first trial. Oversized, prison-issued glasses, a doughy face, and crew cut gave him a geeky look. He wore the Northern Correctional Institution uniform and white laceless slip-on sneakers. He was restrained by handcuffs and ankle shackles. As the guards removed the handcuffs at the judge’s orders, visible indentations were left by the black box that holds the two shackles together during transport to ensure that there is no escape. The box is standard operating procedure for all death row inmates going to court. They say it hurts like hell.
Ross appeared calm, considering that he was trying to negotiate his own death, and he came armed with a folder full of documents and court decisions. He wanted the court to allow him to accept the death penalty without going through a new trial, because he said he wanted to spare the families of the young women he killed from having to go through the pain of another trial.
For the first time since we had started corresponding a few months earlier, we were in the same room, and he was actually able to see me. The reality of being less than twenty feet from a man who had raped and murdered was terrifying. Michael turned around, smiled at me and mouthed, “Are you Martha?”
I nodded yes. A serial killer had identified me. Half of me wished that I could become invisible or crawl under the courtroom bench, though he had four guards surrounding him and leg shackles on. The man couldn’t hurt me.
Even though Michael had been on death row for almost a decade, his case was, in essence, beginning again because the Connecticut Supreme Court had overturned his six death sentences and had ordered a new penalty trial because psychiatric evidence had been kept from the jury. I was looking for a powerful story that would demonstrate the problems inherent in the death penalty. What I got instead was a decade of Michael Ross.
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Hardback. Zustand: Good. An astonishing portrait of a murderer and his complex relationship with a crusading journalist Michael Ross was a serial killer who raped and murdered eight young women between 1981 and 1984. In 2005, the state of Connecticut put him to death by lethal injection. His crimes were horrific, and he paid the ultimate price for them. When journalist Martha Elliott first heard of Ross, she learned what the world knew of him--that he had been a master at hiding in plain sight. Elliott, a staunch critic of the death penalty, was drawn to the case when the Connecticut Supreme Court overturned Ross's six death sentences. Rather than fight for his life, Ross requested that he be executed because he didn't want the families of his victims to suffer through a new trial. Elliott was intrigued and sought an interview. The two began a weekly conversation--and developed an odd form of friendship--that lasted over a decade, until Ross's last moments of life. Over the course of his twenty years in prison, Ross had come to embrace faith for the first time in his life. He had also undergone extensive medical treatment. The Michael Ross whom Elliott knew seemed to be a different man from the monster who was capable of such heinous crimes. This Michael Ross made it his mission to share his story with Elliott in the hopes that it would save lives. He was her partner in unlocking the mystery of his own evil. In The Man in the Monster, Martha Elliott gives us a groundbreaking look into the life and motivation of a serial killer. Drawing on a decade of conversations and letters between Ross and the author, readers are given an in-depth view of a killer's innermost thoughts and secrets, revealing the human face of a monster--without ignoring the horrors of his crimes. Elliott takes us deep into a world of court hearings, tomblike prisons, lawyers hell-bent to kill or to save--and families ravaged by love and hate. This is the personal story of a journalist who came to know herself in ways she could never have imagined when she opened the notebook for that first interview. Praise for The Man in the Monster Sturdily written and well researched . . . The book will appeal to those curious about why killers kill, and those who can stomach what they learn. --The Boston Globe A fascinating, in-depth analysis for true-crime buffs, sociologists, and others grappling with nearly impossible-to-comprehend actions and their consequences. --Booklist. Bestandsnummer des Verkäufers CIN159420490XG
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