The photographs in Richard Misrach's "Destroy This Memory" are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach--who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project--found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures--the only text that appears in the book--offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription.
Richard Misrach (born 1949) is credited with helping to pioneer the renaissance of color photography and large-scale presentation in the 1970s. He has exhibited extensively, and his work is held in the permanent collections of prestigious institutions such as The Museum of Modern Art, Whitney Museum of American Art, and The Metropolitan Museum of Art, in New York; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Houston; and Art Institute of Chicago.
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Richard Misrach is one of the most influential photographers of his generation, well-known for his ongoing project Desert Cantos. His work is held by major institutions, including the Museum of Modern Art, Whitney Museum of American Art, Metropolitan Museum of Art, and the National Gallery of Art, Washington, D.C. He is the recipient of four National Endowment for the Arts Fellowships, a Guggenheim Fellowship, and the Kulturpreis for Lifetime Achievement in Photography. His books with Aperture include Violent Legacies (1992), On the Beach (2007), Destroy This Memory (2010), Petrochemical America (with Kate Orff, 2012), Golden Gate (2012), The Mysterious Opacity of Other Beings (2015), and Border Cantos (with Guillermo Galindo, 2016).
The photographs in Richard Misrach's Destroy This Memory are an a!ecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing Cancer Alley project- found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk, or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical, and even darkly humorous, the phrases he captured-the only text that appears in the book-o!er unique and revealing human perspectives on the devastation and shock le# in the wake of this disaster. Destroy This Memory presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over one thousand photographs with his 8-by-10 large-format camera. Created between October and December 2005, this haunting series of images serves as a potent, unalloyed document of the raw experiences of those le# to fend for themselves in the a#ermath of Katrina. With no essay, titles, or even page numbers in the way, the words on these homes, cars, and trees o!er a searing testament that continues to speak volumes, five years since their original inscription. Artist's royalties for this project are being donated to the Make It Right Foundation, which is currently rebuilding the Lower Ninth Ward of New Orleans.
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Hardcover. First edition, first printing. AS NEW hardcover in the publisher's shrink wrap; no dj as issued. A collection of documentary images of the graffiti and messages left on homes, cars, and trees in New Orleans by residents and rescue workers in the wake of the destruction left behind by Hurricane Katrina. Appeared on a number of critic's "Best Photography Books of 2010" lists. Photographs by Richard Misrach. Unpaginated [140 pages]; 70 color plates; 11.75 x 15.25 inches. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted. Bestandsnummer des Verkäufers 21309
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Hardcover. Zustand: New. 1st Edition. New, hardcover,published by Aperture in 2010 Stated 1st edition, 1st printing, no dust jacket as issued. Publisher's Description The photographs in Richard Misrach's Destroy This Memory are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing Cancer Alley project-found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures-the only text that appears in the book-offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. Destroy This Memory presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription. Bestandsnummer des Verkäufers 482
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