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Inhaltsangabe
Today color photography is so ubiquitous that it’s hard to believe there was a time when this was not the case. Color Rush: Seventy-five Years of Color Photography in America explores the developments that led us to this point, looking at the way color photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. In the intervening years, color photography captured the popular imagination through its visibility in magazines like Life and Vogue, as well as through its accessibility in the marketplace thanks to companies like Kodak. Often in photo histories color is presented as having arrived fully formed in the 1970s; this book reveals a deeper story and uncovers connections in both artistic and commercial practices. A comprehensive chronology and examples of significant moments and movements mark the increasing visibility of color photography. Color Rush brings together Ansel Adams and William Eggleston, Eliot Porter and Cindy Sherman, Edward Steichen and Stephen Shore, and examines them in a fresh context paying particular attention to color photography’s translation onto the printed page. In doing so, it traces a new history that more fully accounts for color’s pervasive presence today.
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Über die Autorin bzw. den Autor
Katherine A. Bussard is Peter C. Bunnell Curator of Photography at the Princeton University Art Museum. Previously, she served as associate curator of photography at the Art Institute Chicago. Her major exhibitions include: Film and Photo in New York (2012); So the Story Goes: Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (2006); and a biennial series dedicated to emerging photographers (2005–2011). She is the author of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia (2014). Lisa Hostetler is curator of photography at George Eastman Museum, Rochester, New York. Previously she worked as curator at the Smithsonian American Art Museum in Washington, D.C., and the Milwaukee Art Museum, where she curated exhibitions including Taryn Simon: Photographs and Texts, In Living Color: Photographs by Saul Leiter, and Color Rush: 75 Years of Color Photography in America―for which she worked as an editor on an accompanying title published by Aperture in 2013.
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Today color photography is so ubiquitous that its hard to believe there was a time when this was not the case. Color Rush: Seventy-five Years of Color Photography in America explores the developments that led us to this point, looking at the way color photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. In the intervening years, color photography captured the popular imagination through its visibility in magazines like Life and Vogue, as well as through its accessibility in the marketplace thanks to companies like Kodak. Often in photo histories color is presented as having arrived fully formed in the 1970s; this book reveals a deeper story and uncovers connections in both artistic and commercial practices. A comprehensive chronology and examples of significant moments and movements mark the increasing visibility of color photography. Color Rush brings together Ansel Adams and William Eggleston, Eliot Porter and Cindy Sherman, Edward Steichen and Stephen Shore, and examines them in a fresh context paying particular attention to color photographys translation onto the printed page. In doing so, it traces a new history that more fully accounts for colors pervasive presence today.
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Color Rush: American Color Photography from Stieglitz to Sherman
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Gebunden. Zustand: Neu. Neu -Heute ist die Farbfotografie so allgegenwärtig, dass man sich kaum vorstellen kann, dass es eine Zeit gab, in der dies nicht der Fall war. Color Rush erforscht die Entwicklungen, die uns zu diesem Punkt geführt haben, und untersucht die Art und Weise, wie Farbfotografien zur Zeit ihrer Entstehung in Umlauf waren und erschienen. Von den Magazinseiten bis zu den Galeriewänden, von der Werbung bis zum Fotojournalismus zeichnet Color Rush die Geschichte der Farbfotografie in den Vereinigten Staaten nach, von dem Moment an, als sie als Massenmedium verfügbar wurde, bis zu dem Moment, als sie für Künstler keine ungewöhnliche Wahl mehr zu sein schien. Das Buch beginnt mit der Vorstellung des Autochroms im Jahr 1907, dem ersten kommerziell erhältlichen Farbverfahren, und setzt sich fort bis zur bahnbrechenden Überblicksausstellung und dem Buch The New Color Photography von 1981, das die breite Akzeptanz der Farbfotografie in der zeitgenössischen Kunst bejubelte. In den dazwischen liegenden Jahren hat die Farbfotografie durch ihren Einsatz in Magazinen wie Life und Vogue sowie durch ihre leichte Zugänglichkeit auf dem Markt dank Unternehmen wie Kodak die Vorstellungskraft der Menschen erobert. In der Fotogeschichte wird die Farbfotografie oft so dargestellt, als sei sie erst in den 1970er Jahren voll entwickelt worden; dieses Buch enthüllt eine tiefere Geschichte und deckt Zusammenhänge sowohl in der künstlerischen als auch in der kommerziellen Praxis auf. Eine umfassende Chronologie und Beispiele bedeutender Momente und Bewegungen vollziehen die faszinierende Entwicklung der Farbfotografie nach. (Text engl.) 277 pp. Englisch. Bestandsnummer des Verkäufers 1558803
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Color Rush: American Color Photography from Stieglitz to Sherman
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2050grams, ISBN:9781597112260. Bestandsnummer des Verkäufers 9982894
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Color Rush
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Color Rush: American Color Photography from Stieglitz to Sherman
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Gebunden. Zustand: New. From magazine pages to gallery walls, from advertisements to photo journalism, this book charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choi. Bestandsnummer des Verkäufers 596370772
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Color Rush: American Color Photography from Stieglitz to Sherman
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Hardcover with dustjacket, 278 pages, very good condition; small bump to bottom of front board; light rubbing to dj; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers CoHoAp40
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Color Rush: American Color Photography from Stieglitz to Sherman
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Color Rush: American Color Photography from Stieglitz to Sherman
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Buch. Zustand: Neu. Neuware - Today color photography is so ubiquitous that it's hard to believe there was a time when this was not the case. Color Rush: Seventy-five Years of Color Photography in America explores the developments that led us to this point, looking at the way color photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. In the intervening years, color photography captured the popular imagination through its visibility in magazines like Life and Vogue, as well as through its accessibility in the marketplace thanks to companies like Kodak. Often in photo histories color is presented as having arrived fully formed in the 1970s; this book reveals a deeper story and uncovers connections in both artistic and commercial practices. A comprehensive chronology and examples of significant moments and movements mark the increasing visibility of color photography. Color Rush brings together Ansel Adams and William Eggleston, Eliot Porter and Cindy Sherman, Edward Steichen and Stephen Shore, and examines them in a fresh context paying particular attention to color photography's translation onto the printed page. In doing so, it traces a new history that more fully accounts for color's pervasive presence today. Bestandsnummer des Verkäufers 9781597112260
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Color Rush: American Color Photography from Stieglitz to Sherman
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Hardcover. Zustand: Brand New. 277 pages. 12.00x10.00x1.00 inches. In Stock. Bestandsnummer des Verkäufers __1597112267
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Color Rush: American Color Photography from Stieglitz to Sherman
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Color Rush (Hardcover)
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Hardcover. Zustand: new. Hardcover. Today color photography is so ubiquitous that it's hard to believe there was a time when this was not the case. Color Rush explores the developments that led us to this point, looking at the way color photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. In the intervening years, color photography captured the popular imagination through its visibility in magazines like Life and Vogue, as well as through its accessibility in the marketplace thanks to companies like Kodak. Often in photo histories, color is presented as having arrived fully formed in the 1970s; this book reveals a deeper story and uncovers connections in both artistic and commercial practices. A comprehensive chronology and examples of significant moments and movements mark the increasing visibility of color photography. Color Rush brings together photographers and artists such as Ansel Adams, Harry Callahan, William Christenberry, William Eggleston, Walker Evans, Nan Goldin, Saul Leiter, Helen Levitt, Philip-Lorca diCorcia, Lszl Moholy-Nagy, Irving Penn, Eliot Porter, Cindy Sherman, Stephen Shore, Laurie Simmons, Edward Steichen, Joel Sternfeld, Edward Weston and many others, and examines them in a fresh context paying particular attention to color photography's translation onto the printed page. In doing so, it traces a new history that more fully accounts for color's pervasive presence today. From magazine pages to gallery walls, from advertisements to photo journalism, this book charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781597112260
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