To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina.
Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects. With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement.
Copublished by Aperture and Peabody Museum Press
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Ilisa Barbash is curator of visual anthropology at Harvard University's Peabody Museum of Archaeology and Ethnology. She is codirector of the films In and Out of Africa (1992) and Sweetgrass (2009). Barbash is the author of Where the Roads All End: Photography and Anthropology in the Kalahari (2016), which was awarded the John Collier Jr. Award for Still Photography.
Molly Rogers is a writer and independent scholar of American history and the history and theory of photography. She is the author of Delia's Tears: Race, Science, and Photography in Nineteenth-Century America (2010), on the Peabody Museum's daguerreotypes of enslaved Africans and African Americans. Rogers is associate director of the Center for the Humanities at New York University.
Deborah Willis is a professor and chair of the Department of Photography and Imaging at the Tisch School of the Arts, New York University. She received the NAACP Image Award for her coauthored book Envisioning Emancipation: Black Americans and the End of Slavery (2013). Other notable publications include Black Venus 2010: They Called Her "Hottentot" (2010) and Posing Beauty: African American Images from the 1890s to the Present (2009). Willis has been awarded Guggenheim and MacArthur fellowships.
Henry Louis Gates Jr., an Emmy Award-winning filmmaker, literary scholar, journalist, and cultural critic, is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Gates has been awarded a MacArthur Foundation Fellowship and a National Humanities Medal, authored or coauthored twenty-one books, and created fifteen documentary films and series, including Wonders of the African World (1999), African American Lives (2006-8), Faces of America (2010), and Finding Your Roots (2012-18).
Carrie Mae Weems, one of today's most influential contemporary American artists, has work in New York's Metropolitan Museum of Art and Museum of Modern Art, the Los Angeles Museum of Contemporary Art, and London's Tate Modern. Her previous publications include The Hampton Project (Aperture, 2001), Kitchen Table Series (2016), and Strategies of Engagement (2018). Weems has been awarded a MacArthur Foundation Fellowship the Congressional Black Caucus Foundation's Lifetime Achievement Award, and a US Department of State Medal of Arts.
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes―made in 1850 by photographer Joseph T. Zealy―portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University’s Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs’ historical context and the "science” of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry.
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Hardcover. Zustand: Very Good. 1st Edition. First printing. Corners are a bit bumped; spine is slightly cocked; otherwise volume is bright and fresh. 485 p., well illustrated. Large, heavy volume, published at $60.00 [br 41; cme dn r b] Contents: Foreword / Henry Louis Gates, Jr. -- Preface / Jane Pickering -- Introduction / Molly Rogers -- Gallery: The Zealy daguerreotypes -- Part I. Photographic subjects. This intricate question: the "American School" of ethnology and the Zealy daguerreotypes / by Molly Rogers -- The life and times of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty / Gregg Hecimovich -- History in the face of slavery: A family portrait / Evelyn Brooks Higginbotham -- Portraits of endurance: Enslaved people and vernacular photography in the Antebellum South / Matthew Fox-Amato -- Part II. Photographic practice. The curious art and science of the daguerreotype / John Wood -- Business as usual? Scientific operations in the early photographic studio / Tanya Sheehan -- Mr. Agassiz's "photographic saloon" / Christopher Irmscher -- Part III. Ideas and histories. Of scientific racists and Black abolitionists. The forgotten debate over slavery and race / Manisha Sinha -- "Nowhere else" : South Carolina's role in a continuing tragedy / Harlan Greene -- "Not suitable for public notice" ; Agassiz's evidence / John Stauffer -- The insistent reveal: Louis Agassiz, Joseph T. Zealy, Carrie Mae Weems, and the politics of undress in the photography of racial science / Sarah Elizabeth Lewis -- Part IV. Memory and projection. Gallery: While sitting upon the ruins of your remains, I pondered the course of history / Carrie Mae Weems -- In conversation with Carrie Mae Weems / Deborah Willis -- Exposing latent images: Daguerreotypes in the museum and beyond / Ilisa Barbash -- Teaching, feeling: Daguerreotype reflections / Robin Bernstein with Keziah Clarke, Jonathan Karp, Eliza Blair Mantz, Reggie St. Louis, William Henry Pruitt III, and Ian Askew. Bestandsnummer des Verkäufers 206440
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Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Bestandsnummer des Verkäufers 190737
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First Edition. Hardcover, no jacket, very good with light wear only. Illustrated. Texts by John Wood, Henry Louis Gates, and others. Bestandsnummer des Verkäufers 030668
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Hardcover. Zustand: new. Hardcover. To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Rentymen and women of African descent who were enslaved in South Carolina. Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvards Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects. With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement.Copublished by Aperture and Peabody Museum Press Essays and photographs from two workshops organized by the Peabody Museum of Archaeology and Ethnology and held at the Radcliffe Institute for Advanced Study to discuss the fifteen daguerreotypes by Joseph T. Zealy discovered at the museum in 1976. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781597114783
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Hardback. Zustand: New. To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty-men and women of African descent who were enslaved in South Carolina. Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard's Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects. With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. Copublished by Aperture and Peabody Museum Press. Bestandsnummer des Verkäufers LU-9781597114783
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Hardcover. Zustand: Brand New. 485 pages. 10.00x8.00x1.00 inches. In Stock. Bestandsnummer des Verkäufers __1597114782
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Hardcover. Zustand: New. 1st Edition. New York, 2020. First edition. First printing. Hardbound. Very Fine/issued without jacket. A pristine unread copy, still in original shrink-wrap. Foreword by Henry Louis Gates, Jr.; Preface by Jane Pickering. Introduction by Molly Rogers. fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Rentymen and women of African descent who were enslaved in South Carolina. Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard's Peabody Museum in 1976. Bestandsnummer des Verkäufers Rear-Stacks-Nonfiction
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