Freckles is a one-handed, plucky waif of an orphan, who has been raised since infancy in a Chicago orphanage and yet speaks with a powerful Irish accent. He applies for a job guarding timber in the swamp, and is accepted despite his youth and the disability of his having only one hand. He insists that the name given him in the orphanage "is no more my name than it is yours." Freckles develops an interest in the wildlife of the swamp and in natural history, and falls in love with the Swamp Angel. The story's primary action involves his self-education, his loyalty to his employer, his growing love for the Angel (and hers for him) and his conviction that it's better and finer to deny his love than to court her "without knowledge of honorable birth." Though he is loved and admired by all he meets, he considers himself unworthy of the Angel because of his apparent bastardy and because his birth-parents seem to have abused him. Eventually he risks his life to save the Angel, and she goes on a quest to find his birthparents in order to ease his mind.
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Gene Stratton-Porter, an American author, amateur naturalist, and animal photographer who lived from 1863 to 1924, was also one of the first females to establish a movie studio and production firm. She penned a number of best-selling books as well as popular pieces for periodicals at the time. She trained as a wildlife photographer and focused on the birds and moths that might still be found in one of the last remaining wetlands in the lower Great Lakes Basin. Northeastern Indiana's Limberlost and Wildflower Woods served as her writing space and primary source of inspiration for her stories, novels, essays, photographs, and films. The Song of the Cardinal, her debut book, which bears her name, was a huge economic success in 1903. The wooded wetlands and swamps of the rapidly vanishing central Indiana ecosystems she adored and chronicled are the settings for her novels Freckles (1904) and A Girl of the Limberlost (1909). Stratton-Porter intended to concentrate on nature books, but it was her love novels that made her renowned and provided the funds she needed to continue her research in nature. A D (1911), The Harvester (1911).
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