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The paintings of Henri Rousseau (1844&;1910), particularly his astonishing jungle dreams, are now so popular that it is difficult to realize how they were originally greeted with ridicule and incomprehension. It was not until Rousseau was championed by the young avant-garde&;Picasso, Delaunay, and Kandinsky, among others&;that he came to be recognized at his true worth.
       
One of the most significant of these early admirers was the dealer and art historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau&;s work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a portrayal of a man of naivety, humor, gentleness, and total artistic commitment. Uhde returned to his text again and again, refining it and filling out telling details. The version presented here is the final, definitive text, which first appeared after World War I in a translation overseen by Uhde himself.
     
An introduction by Nancy Ireson sets the Recollections in context, with an overview of Rousseau&;s career, the ebb and flow of his reputation, and the part that this polemic and elegiac text played in the creation of a new kind of art.
 
       
One of the most significant of these early admirers was the dealer and art historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau&;s work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a portrayal of a man of naivety, humor, gentleness, and total artistic commitment. Uhde returned to his text again and again, refining it and filling out telling details. The version presented here is the final, definitive text, which first appeared after World War I in a translation overseen by Uhde himself.
     
An introduction by Nancy Ireson sets the Recollections in context, with an overview of Rousseau&;s career, the ebb and flow of his reputation, and the part that this polemic and elegiac text played in the creation of a new kind of art.
 
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Über die Autorin bzw. den Autor
Wilhelm Uhde was an art dealer and art historian who put on the first one-man show of Rousseau&;s work. Nancy Ireson is an art historian specializing in Rousseau. She helped curate the major exhibition Rousseau: Jungles of Paris (London, Paris, New York), and is the author of Interpreting Rousseau.
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Paperback. Zustand: New. The paintings of Henri Rousseau (1844-1910), particularly his astonishing jungle dreams, are now so popular that it is difficult to realize how they were originally greeted with ridicule and incomprehension. It was not until Rousseau was championed by the young avant-garde-Picasso, Delaunay, and Kandinsky, among others-that he came to be recognised at his true worth. One of the most significant of these early admirers was the dealer and art-historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau's work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a portrayal of a man of naivety, humor, gentleness and total artistic commitment. Uhde returned to his text again and again, refining it and filling out telling details. An introduction by Nancy Ireson sets the Recollections in context, with an overview of Rousseau's career, the ebb and flow of his reputation, and the part that this polemic and elegiac text played in the creation of a new kind of art. Bestandsnummer des Verkäufers LU-9781606065679
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paperback. Zustand: Very Good in Wrappers. No Jacket. Los Angeles. 2018. April 2018. Getty Publications. 1st American Edition. Very Good in Wrappers. 9781606065679. 4½ × 5¾ inches. 27 color and 1 b/w illustrations. NAO / J. PAUL GETTY MUSEUM. April 2018. paperback. keywords: Art History. DESCRIPTION - Lives of the Artists: Vivid and engaging accounts of the world's most renowned artists by their contemporaries. What does Vasari have to teach us about Raphael? What did Van Gogh's sister-in-law think of his painting? What was it like for Rilke to be Rodin's secretary? The Lives of the Artists series offers illuminating, and sometimes intimate, accounts of major artists as viewed by their contemporaries. Each volume contains a contextualizing introduction from a modern scholar and beautiful full-page images. These books represent a diversity of opinions, perspectives, and voices that scholars, art aficionados, and even those brand new to the history of art will find informative, accessible, and unique. inventory #43620. Bestandsnummer des Verkäufers z43620
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Taschenbuch. Zustand: Neu. Neuware - The paintings of Henri Rousseau (1844-1910), particularly his astonishing jungle dreams, are now so popular that it is difficult to realize how they were originally greeted with ridicule and incomprehension. It was not until Rousseau was championed by the young avant-garde--Picasso, Delaunay, and Kandinsky, among others--that he came to be recognized at his true worth. One of the most significant of these early admirers was the dealer and art historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau's work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a portrayal of a man of naivety, humor, gentleness, and total artistic commitment. Uhde returned to his text again and again, refining it and filling out telling details. The version presented here is the final, definitive text, which first appeared after World War I in a translation overseen by Uhde himself. An introduction by Nancy Ireson sets the Recollections in context, with an overview of Rousseau's career, the ebb and flow of his reputation, and the part that this polemic and elegiac text played in the creation of a new kind of art. Bestandsnummer des Verkäufers 9781606065679
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Paperback. Zustand: New. The paintings of Henri Rousseau (1844-1910), particularly his astonishing jungle dreams, are now so popular that it is difficult to realize how they were originally greeted with ridicule and incomprehension. It was not until Rousseau was championed by the young avant-garde-Picasso, Delaunay, and Kandinsky, among others-that he came to be recognised at his true worth. One of the most significant of these early admirers was the dealer and art-historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau's work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a portrayal of a man of naivety, humor, gentleness and total artistic commitment. Uhde returned to his text again and again, refining it and filling out telling details. An introduction by Nancy Ireson sets the Recollections in context, with an overview of Rousseau's career, the ebb and flow of his reputation, and the part that this polemic and elegiac text played in the creation of a new kind of art. Bestandsnummer des Verkäufers LU-9781606065679
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