Align Your Creative Energy with Nature’s
“Everything we know about creating,” writes Tina Welling, “we know intuitively from the natural world.” In Writing Wild, Welling details a three-step “Spirit Walk” process for inviting nature to enliven and inspire our creativity.
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Tina Welling is the author of Cowboys Never Cry and two other novels. Her nonfiction has appeared in Shambhala Sun, Body & Soul, and a variety of anthologies. She lives in Jackson Hole, Wyoming.
Introduction
One summer day, I hiked Josie’s Ridge on Snow King Mountain. Large clouds moved across the sky and periodically put a lid over the sun. I paused to catch my breath from the upslope climb and gazed around the shadowy forest of tall, lanky pines. My glance caught on a fully rounded tree, leafless and apparently dead, standing upright with an abundance of sweeping limbs, making the tree stand out from others. At that moment, the sun broke through cloud cover and as I stood there, a dense, dew-beaded spider web, lacing the branches top to bottom, became abruptly illuminated.
One moment, the dead tree was notable only for its shapely flare, unusual in a harsh, high-altitude environment. The next moment, it was aflame with stars. My throat tightened and tears stung my eyes. The forest was silent, I was alone, and the tree spangled before me, woven with fairy lights. Then the clouds closed over the sun again, and the sparkle was gone.
I stood in those shadowy woods looking at the bare tree and my mind experienced a gracious leap. Skipping over the small steps of understanding, I knew suddenly that there was an interconnectedness between the earth’s creative energy and my own personal creative energy.
WRITING WILD was conceived right then. I wanted to understand more about this connectedness. I wanted to explore those small intuitive steps of knowing – to lay them out one by one, untangle the workings of that connection, and learn how to use this natural resource.
In our daily lives, you and I may be unaware that everything we know about creating, we know intuitively from the natural world. Yet when the light shines just right, we sense that we are part of the whole energy system of the universe, poised endlessly to express itself.
WRITING WILD is based on the ancient universal law, “As above, so below,” that tells us we can understand the patterns of the higher by following the patterns of the lower, and vice versa. In the case of writing, by following the patterns of the earth’s creative energy, we can understand our own personal creative energy. Though the interconnectedness of ourselves and the natural world shimmers like the spider’s web in sunlight, at times it can be so subtle that, not seeing it at all, we walk right into it, the supple strands clinging to our face and fingers. When the light shines directly on the web of connectedness, I think to myself, “Why write this book? Everybody sees this web sparkling like an earthbound constellation.” But other times, when the web disappears before my eyes, I realize that as a creative person I am often floundering, feeling a lack of support and guidance, unaware I am entangled in my own safety net.
Joseph Campbell once said, “The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.” Capital N. Following his advice, I developed a simple three-step process: Naming, Describing, and Interacting. These three steps address the levels of our awareness and correlate with the three parts of our brain. I call the process Spirit Walks to remind me of the spirit of my experience.
WRITING WILD offers writers, journal keepers and those others of us who wish to live more fully a direct pathway into a stronger relationship with wildness, both inner and outer. The result is writing that inspires, heals, enlivens, and deeply engages both writer and reader.
Writing constellates what we feel and intuit in our bodies and know in our psyches. Once we name, describe and interact with our experiences in writing, the experience belongs to us consciously and contributes to our creative work.
Spider webs are both wondrous and ordinary. The silk created to weave a web is a protein the spider produces from eating houseflies and other insects. Nothing more ordinary than houseflies. Yet nothing is more wondrous than the spangled web. The aspects discussed in WRITING WILD are ordinary as well, and consist of practical, down-to-earth ideas and experiences. But they serve to ensure that when the sun tips just a fraction of one degree and lights up the whole world before us, we are present to enjoy it.
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