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The Self as Muse: Narcissism and Creativity in the German Imagination 1750-1830 (Transits: Literature, Thought & Culture, 1650–1850) - Hardcover

 
9781611480320: The Self as Muse: Narcissism and Creativity in the German Imagination 1750-1830 (Transits: Literature, Thought & Culture, 1650–1850)
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Book by Mathas Alexander

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Críticas:
This volume treats the unprecedented interest in notions of the self in German literature from 1750 to 1830. The legitimacy of the use of the term "narcissism" in connection with texts of this period is put into question by the fact that authors were ignorant of the meaning of the word as used today. Mathas (Univ. of Oregon) seeks to avoid this dilemma by using the term as preoccupation with the self in the broadest sense. The editor divides the book's nine essays into four parts: "Narcissism and the Senses," "Narcissism and Morality," "Over and against Freud" (which focuses on the narcissistic structure of the modern psyche), and "Reading and Writing Narcissism." The contributors discuss works and theories of authors both well known and less familiar--Goethe's Werther, Theodor Gottlieb von Hippel's Lebenslaufe, Kant, Schiller, Herder, Lessing, Hamann, von Kleist, Hoffmann, Poe. Each of the essays has its own footnotes and bibliography, and a general index serves the entire volume. This is a handsome, well-edited volume that will undoubtedly provoke further discussion of the main topic. * CHOICE * The nine essays in this focused and consistently fruitful collection explore the extensive interest in the self and self-examination in late eighteenth- and early nineteenth century German culture. Alexander Mathas, has already established his credentials as a scholar of literary narcissism. It is a strength of the volume that so many of its essays directly support the central theses put forth in the introduction A good deal of scholarly work has already been devoted to the invention of selfhood and modern individuality in the late- eighteenth century, but there remains an open spot on that shelf for this thoughtful collection to fill. By focusing on narcissism's productive potential, within both German art and letters and the rise of modern subjectivity, the books' contributors produce a valuable set of insights. * Monatshefte *
Reseña del editor:
While there are countless philosophical and psychological studies that focus on sources of the self, narcissism the creation of an ideal image of the self and the vain attempt to merge with it has found relatively little attention in a pre-Freudian context. The Self as Muse fills this gap by examining various aspects of narcissism and their significance for the outpouring of creativity in late eighteenth and nineteenth-century German literature. Narcissism provided an impetus for poetic production when writers expressed what they perceived as the inner workings of their soul. By showing narcissism's pervasive allure for a broad array of literary productions, the volume shows that narcissism is a constitutive force in both literary production and the construction of modern subjectivity. Yet this construction is by no means complete and invites the reader to strive toward the illusive image of an ideal.

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  • VerlagBucknell University Press
  • Erscheinungsdatum2011
  • ISBN 10 1611480329
  • ISBN 13 9781611480320
  • EinbandTapa dura
  • Anzahl der Seiten232

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ISBN 10:  0838757766 ISBN 13:  9780838757765
Verlag: Associated Univ Presses, 2011
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Buchbeschreibung Hardback. Zustand: New. First Edition. Hardback. Dust Jacket. 8vo. One ilustration. Contributors include Gail K. Hart, Edgar Landgraf, Susan Gustafson, Martin Klebes. ISBN: 1611480329 Pages: 231 Fine in fine dust wrapper. Bestandsnummer des Verkäufers A79154

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Mathas, Alexander; Block, Richard [Contributor]; Breithaupt, Fritz [Contributor]; Gustafson, Susan [Contributor]; Hart, Gail K. [Contributor]; Klebes, Martin [Contributor]; Landgraf, Edgar [Contributor]; Mathäs, Alexander [Contributor]; Roberts, F Corey [Contributor]; Schmiesing, Ann [Contributor];
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