In a tour-de-force tapestry of science fiction and historical fiction, Andromeda Romano-Lax presents a story set in Japan and Taiwan that spans a century of empire, conquest, progress, and destruction.
2029: In Japan, a historically mono-cultural nation, childbirth rates are at an all-time low and the elderly are living increasingly longer lives. This population crisis has precipitated the mass immigration of foreign medical workers from all over Asia, as well as the development of finely tuned artificial intelligence to step in where humans fall short.
In Tokyo, Angelica Navarro, a Filipina nurse who has been in Japan for the last five years, works as caretaker for Sayoko Itou, a moody, secretive woman about to turn 100 years old. One day, Sayoko receives a present: a cutting-edge robot “friend” that will teach itself to anticipate Sayoko’s every need. Angelica wonders if she is about to be forced out of her much-needed job by an inanimate object—one with a preternatural ability to uncover the most deeply buried secrets of the humans around it. Meanwhile, Sayoko becomes attached to the machine. The old woman has been hiding secrets of her own for almost a century—and she’s too old to want to keep them anymore.
What she reveals is a hundred-year saga of forbidden love, hidden identities, and the horrific legacy of WWII and Japanese colonialism—a confession that will tear apart her own life and Angelica’s. Is the helper robot the worst thing that could have happened to the two women—or is it forcing the changes they both desperately needed?
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Andromeda Romano-Lax is the author of The Spanish Bow, a New York Times Editors' Choice that has been translated into 11 languages, The Detour, and Behave, as well as numerous works of nonfiction. She teaches creative writing and is a co-founder of 49 Writers, a statewide literary organization. She lives on Vancouver Island.
1 Angelica
Angelica was hurrying toward the crowded crosswalk, determined to get back to her elderly client Sayoko-san before the deliveryman arrived, when the view of buildings and business suits in front of her dissolved.
The heart of Tokyo at 4:07 p.m., improbably on pause. A sharp whine and then static; a muffled white-noise pulse.
Three throbbing beats. Then silence.
Jellied knees.
Shifting sidewalk.
Going down.
Someone else might have thought: terrorism. But Angelica’s mind reeled back only to what she’d known personally, growing up in the rural Philippines: the chaos of nature itself.
Not again—the first thought of anyone who has lived through tremors, tsunamis and typhoons. Her fingers went to the tiny gold cross at her throat.
Angelica did not stagger so much as melt. The concrete smacked her cheekbone just as the light seemed to leak out of the world. She took the biggest breath she could, like a diver preparing to go under, filling her lungs with the last clean air she might ever have, while behind closed eyelids, images from her childhood formed: looking up through the rubble to the gray Cebu sky, one arm protecting her head, one hand trapped, the other free, dusty fingers struggling to flex above the ruin. Tabang! Help!
Papa! Mama!
But then: veins relaxed. Oxygen flowed. The past burrowed back under its dirty blankets, its broken pipes and dust. The Philippine island of Cebu on that day over thirty years ago was only a memory.
The light returned, soft and spotty at first, and then too bright. She squinted toward the curb, two meters away, and the street beyond, where whisper-quiet cars eased through the busy intersection.
Get up. Get up. But she couldn’t. Her head was too heavy. The hiss in her ears was fading, but only slowly. Her leg was abraded from the fall, only a little, but it stung. A moan escaped from her lips, equal parts pain and simple embarrassment.
Without lifting her face, Angelica could see businessmen’s loafers and women’s low-heeled pumps moving steadily past, pausing, moving again as the light changed. When she rolled to one side to look up, a woman wearing a germ-blocking face mask met her glance with an apologetic bow and then kept going.
A whisper of wind against thigh warned that her skirt was up, her panties exposed. She’d meant to buy new underwear this spring and never had. Too broke and too busy studying for the next Japanese language proficiency exam. Last night, she had stayed up two extra hours and nodded off with her phone in her hand, kanji quiz app open, unfamiliar characters swimming through her dreams.
She wasn’t the only one struggling. Ask the other Filipino nurses, the West African physical therapists, the Indonesian caregivers. Ask anyone in her position: trying to learn fast enough to pass the latest JLPT, trying to avoid unsafe jobs and the loan sharks back home, trying to avoid being sent back at the wrong time, always keeping the door open to returning at the right time.
But still, it could have been worse. Instead of dull gray hip huggers with a worn-out elastic band, she could have been wearing the weirdly juvenile underwear her sometimes-lover Junichi had bought her. A forty-three-year-old Filipina should not be caught wearing a Hello Kitty thong.
The blood was returning to Angelica’s head now. She needed only to lie on her back and let the spinning stop. She had been hurrying and worrying about something—and not only kanji.
The deliveryman. That was why she had been rushing, why she had ignored the mounting headache, the prickly flush behind her knees, the feeling of unmanaged anxiety—an army of tiny ants creeping across her scalp. Her body had been trying to tell her: Eat something. Breathe. Put your head between your knees.
But there’d been no time. Minutes earlier, while waiting in a noodle shop for Junichi (late as usual; probably not even coming) she’d received a text from the agency relief nurse, Phuong Pham: Leaving early. Sayoko is fine. I have emergency.
When Angelica had texted back, You can’t. Wait until I get there, she’d received no further reply. She had set off toward the Itou family’s luxury condo at a worried trot, throat constricting, scalp crawling.
At any moment, the deliveryman would be ringing the buzzer, having been assured that someone reliable would be there to greet him. Sayoko would be confused. Unless the old woman had thrown a tea towel over every eldercam eyespot in the house, Angelica’s phone would automatically fill up with images of an agitated lady, rolling back and forth toward the door in her outmoded wheelchair. If Sayoko’s blood pressure plunged or her heartrate increased past a certain point, programmed alarms would sound on her son’s phone, even as he sat in an important business meeting in Kuala Lumpur. Ryo Itou might think it was a serious emergency. Worst of all, Sayoko herself would be afraid and alone. Angelica knew how time could change in that kind of situation: how anxiety opened the door to a lonely eternity.
Angelica closed her eyes.
Then opened them, a moment later, to see a white, concave disk as wide as her shoulders, hovering just above her face.
“I’m fine,” she said as she tried to turn away from the public health device. “I have to get up.”
“Please, remain still,” the machine responded.
The disk’s white wings angled down toward either side of her head, granting some small measure of privacy, a comfort more for bystanders who could hurry by with less guilt, even if their questions remained. Had they been standing close to her at the last crosswalk? Would there be some new outbreak announced on the evening news?
“There’s nothing wrong with me,” she said.
A cuff tightened automatically around Angelica’s arm. A black weight, no larger than a change purse but hard and heavy, vibrated threateningly against her sternum. Thrusting her chin down into her neck, she just managed to see the unit’s flickering red light, but only until the next instrument moved into place.
“I have low blood pressure,” she said, before a rubber ring lowered around her mouth and sealed tight.
The kenkobot was just doing its job. There was no way out—only through. For one claustrophobia-inducing minute as she waited for the test to finish, Angelica tried to distract herself—tried, even, to see the value in the situation.
This would be a story to tell her brother, Datu. She would confess about the underwear. Yes, all the businessmen were staring. Whether or not it was true, just to make him laugh. So he could moan and answer: Nena, don’t tell me that. Take care of yourself. Buy new underwear at least. You’ve always been such a miser. As if being a big spender was any better. Even when they were kids, he’d been unable to...
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