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Inhaltsangabe
"Zines and underground culture offer up an alternative, a way of understanding and acting in the world that operates with different rules and upon different values than those of consumer capitalism. It is an alternative fraught with contradictions and limitations...but also possibilities." In the first comprehensive study of zine publishing, Stephen Duncombe explores the history and theory of subterranean cultural production. From their origins in early 20th century science fiction fandom, their more proximate roots in ‘60s counter-culture and their rapid proliferation in the wake of punk rock, Notes from Underground pays full due to the political importance of zines as a vital network of participatory culture, and analyzes how zines measure up to their utopian outlook in achieving fundamental social change. Packed with extracts and illustrations, Duncombe provides a critical overview of the contemporary underground in all its love and rage.
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Über die Autorin bzw. den Autor
Stephen Duncombe is an associate professor at New York University's Gallatin School in the department of Media, Culture and Communications and is a lifelong political activist. He is the author and editor of six books including Dream: Re-Imagining Progressive Politics in an Age of Fantasy, Notes From Underground: Zines and the Politics of Underground Culture, The Bobbed Haired Bandit: Crime and Celebrity in 1920s New York, Cultural Resistance Reader, White Riot: Punk Rock and the Politics of Race, and (Open) Utopia. He lives in New York City.
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Notes from Underground: Zines and the Politics of Alternative Culture (Scene History)
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Paperback. Zustand: Good. From their origins in early 20th century science fiction cults, their more proximate roots in '60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyses how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendour and misery. Bestandsnummer des Verkäufers 00108816227
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Notes from Underground
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Paperback. Zustand: Very Good. From their origins in early 20th century science fiction cults, their more proximate roots in '60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyses how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendour and misery. Bestandsnummer des Verkäufers 00108683962
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Paperback. Zustand: Good. From their origins in early 20th century science fiction cults, their more proximate roots in '60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyses how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendour and misery. Bestandsnummer des Verkäufers CIN1621064840G
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Paperback. Zustand: Very Good. From their origins in early 20th century science fiction cults, their more proximate roots in '60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyses how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendour and misery. Bestandsnummer des Verkäufers CIN1621064840VG
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Notes from Underground: Zines and the Politics of Alternative Culture (Scene History)
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