Examination of how the exploration of female subjectivity by selected French and British women film-makers has expanded and reinvigorated the "language" of contemporary cinema.
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Kate Ince is Reader in French Film and Gender Studies, University of Birmingham, UK.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9781623565817. Bestandsnummer des Verkäufers 5561992
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Paperback. Zustand: new. Paperback. Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnes Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the Thinking Cinema series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study. Examination of how the exploration of female subjectivity by selected French and British women film-makers has expanded and reinvigorated the "language" of contemporary cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781623565817
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Zustand: New. Examination of how the exploration of female subjectivity by selected French and British women film-makers has expanded and reinvigorated the "language" of contemporary cinema. Series: Thinking Cinema. Num Pages: 224 pages, 12 bw illustrations. BIC Classification: 3JJPR; 3JM; APFB; HPN; JFFK. Category: (G) General (US: Trade). Dimension: 155 x 229 x 19. Weight in Grams: 326. . 2017. Reprint. Paperback. . . . . Bestandsnummer des Verkäufers V9781623565817
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Zustand: New. pp. 224. Bestandsnummer des Verkäufers 26375178255
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Examination of how the exploration of female subjectivity by selected French and British women film-makers has expanded and reinvigorated the "language" of contemporary cinema. Series: Thinking Cinema. Num Pages: 224 pages, 12 bw illustrations. BIC Classification: 3JJPR; 3JM; APFB; HPN; JFFK. Category: (G) General (US: Trade). Dimension: 155 x 229 x 19. Weight in Grams: 326. . 2017. Reprint. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781623565817
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Zustand: New. PRINT ON DEMAND pp. 224. Bestandsnummer des Verkäufers 18375178245
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