Verwandte Artikel zu Red Line: A Matt Sinclair Mystery
Inhaltsangabe
Joseph Wambaugh meets Michael Connelly in this nuanced police procedural series debut from a veteran of the Iraq War and Oakland Police Department
A veteran-turned-detective struggling with PTSD and alcoholism lands a case that will either make—or break—his flagging career in the Oakland Homicide Squad
When a teenager from a wealthy suburb outside of Oakland, California is dumped at an inner-city bus stop, homicide detective Matt Sinclair catches the case. It’s his first since being bumped to desk duty for a bust that went south. With few leads and plenty of attention, it's the worst kind of case to help him get back up to speed.
And it only gets worse as the bodies start to pile up—first at the same bus bench, then around the city. Sinclair is unable to link the victims to each other, and the killer is just getting started. Time is running out on Sinclair’s career, not to mention the people closest to him.
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Über die Autorin bzw. den Autor
Brian Thiem, author of the acclaimed series debut Red Line, spent 25 years with the Oakland Police Department, working Homicide as a detective sergeant and later as the commander of the Homicide Section. He also spent 28 years of combined active and reserve duty in the Army, retiring as a Lieutenant Colonel. His final assignment was a tour in Iraq as the Deputy Commander of the Criminal Investigation Group (CID) for the Middle East. He lives in South Carolina.
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"Thiem skillfully guides the realistic action to the unexpected ending. Readers will want to see more of his richly drawn main character."
--Publishers Weekly
"This hard-edged beauty makes reviewers think maybe they’ve been too nice to all those suffering cop/lawyer/PI types who swarm the genre... none are as interesting as Sinclair’s psy-war with the world."
--Booklist
"A compelling read from beginning to end, "Red Line" is very highly recommended."
--Midwest Book Review
Brian Thiem hits the bull’s-eye in his true-to-life debut. A mystery with authenticity, grit, dramaRed Line has it all. A gripping police procedural from a real pro.”
--Robert Dugoni, #1 Amazon and NYT bestselling author of My Sister’s Grave
"The real dealand one that could only be written by a cop. This street-wise police procedural offers readers a unique and inside view of the high-stress, high-stakes search for the bad guys."
--Hank Phillippi Ryan, Agatha, Anthony, Macavity, and Mary Higgins Clark award-winning author ofTruth Be Told
"Red Line is a forceful tale of unintended consequences and brutal vengeance. Brian Thiem’s years on Oakland's mean streets lend his debut novel a profound authenticity, and he peels back the layers of an intricate investigation with a deft, racing style that keeps you guessing to the end. This is crime fiction the way it should be, an exploration of human nature on its worst day."
--J. Mark Betrand, award-winning author of Back on Murder
"When an ex-homicide cop writes a police procedural, it's going to be the real deal--gritty crime scenes, flashing blue lights, interfering brass, relationship complications and that all-important cop's gut. Brian Thiem has it all in his page-turner debut novel about a serial killer in Oakland."
--Kate Flora, Edgar Award nominee and author of Death in Paradise
--Publishers Weekly
"This hard-edged beauty makes reviewers think maybe they’ve been too nice to all those suffering cop/lawyer/PI types who swarm the genre... none are as interesting as Sinclair’s psy-war with the world."
--Booklist
"A compelling read from beginning to end, "Red Line" is very highly recommended."
--Midwest Book Review
Brian Thiem hits the bull’s-eye in his true-to-life debut. A mystery with authenticity, grit, dramaRed Line has it all. A gripping police procedural from a real pro.”
--Robert Dugoni, #1 Amazon and NYT bestselling author of My Sister’s Grave
"The real dealand one that could only be written by a cop. This street-wise police procedural offers readers a unique and inside view of the high-stress, high-stakes search for the bad guys."
--Hank Phillippi Ryan, Agatha, Anthony, Macavity, and Mary Higgins Clark award-winning author ofTruth Be Told
"Red Line is a forceful tale of unintended consequences and brutal vengeance. Brian Thiem’s years on Oakland's mean streets lend his debut novel a profound authenticity, and he peels back the layers of an intricate investigation with a deft, racing style that keeps you guessing to the end. This is crime fiction the way it should be, an exploration of human nature on its worst day."
--J. Mark Betrand, award-winning author of Back on Murder
"When an ex-homicide cop writes a police procedural, it's going to be the real deal--gritty crime scenes, flashing blue lights, interfering brass, relationship complications and that all-important cop's gut. Brian Thiem has it all in his page-turner debut novel about a serial killer in Oakland."
--Kate Flora, Edgar Award nominee and author of Death in Paradise
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CHAPTER 1
The man heard a gasp from the backseat as he turned onto Fifty-Second Street. The girl named Samantha opened her eyes in a sudden panic. The eyes of the other girl in the backseat darted back and forth several times, as if she were trying to figure out where she was.
The man slowed the Cadillac Escalade at the parking lot of the emergency room. The lot was empty except for an ambulance, its back doors open toward the building. He spotted a camera and then a second one pointing down­ward, covering the parking lot and the wide glass doors that opened into the ER.
He jabbed the brake and stopped.
A uniformed security guard sat inside at a small desk. The man backed into the empty street and continued to the traffic light at Martin Luther King Jr. Way. A wide grass median divided the six-lane thoroughfare into north­bound and southbound lanes. Above, the elevated tracks for BART rested on huge concrete pedestals that looked like giant gray mushrooms in the fog that rolled in nightly from the San Francisco Bay. Traffic was light. The digital clock on his dash read 4:02.
He turned right and stopped at the bus stop just north of the corner. A Plexiglas shelter covered the bus bench. He climbed out of the driver&;s seat and jogged around the front of the SUV to the passenger side, opened the back door and lifted the older girl, Jenny, from the car seat, wrapping his arm around her to hold her up, and placed her on the ground. He shuffled her to the bench and sat her down, then returned to the car and brought Samantha to the bench in the same manner. Samantha leaned against her friend, resting her head on the other girl&;s shoulder, her eyes locked open in a zombie-like stare.
The man slipped Samantha&;s cell phone out of her clutch purse and turned it on. He scrolled to Mom and pressed the number.
“Sam, where have you been? You&;ve had me so worried.&;
He spoke slowly. “Ma&;am, Samantha is with a friend named Jenny. They can&;t talk right now, but they need your help.&;
“Who is this? Is this some kind of joke?&;
“Please listen carefully. The girls have taken some drugs and need to go to the hospital. Get something to write with and I&;ll tell you where they are.&;
“Who is this?&; she demanded.
When he didn&;t reply, her voice softened. “Okay, I have a pen.&;
“Outside Children&;s Hospital in Oakland, at a bus bench on Martin Luther King Way, just up from Fifty-Second Street. If you can&;t get here fast, you might want to call the hospital and have them pick up the girls.&;
“I got it. Now, who is this?&;
“A friend.&;
He pressed the end button, wiped the phone on his jacket lining, and returned it to Samantha&;s handbag. He scanned the area to ensure no one was watching. A car zipped by without slowing, and the driver didn&;t look his way.
“Girls, stay here,&; he said. “Your parents are on the way.&;
Samantha seemed to focus on him for a second, but then her eyes resumed their distant, Rohypnol stare.
He drove a block up the street and pulled to the curb. In his rearview mirror, he saw one of the girls poke her head out of the front of the shelter.
“Go back and sit down,&; he said under his breath.
She stood, looked straight ahead, and wobbled onto the sidewalk. She paused at the curb, and then stumbled, straight-legged into the street.
“No, no,&; he muttered.
A pair of headlights in his mirror grew larger, and car tires screeched on the asphalt. Then he heard the thud.
He jumped out of his SUV. The car stopped and two people got out. They bent over the form in the street. One yelled something. Seconds later, people dressed in blue, pink, and green hospital scrubs ran toward the accident.
He climbed into the Cadillac and drove off.
CHAPTER 2
Thirteen Months Later
Sergeant Matt Sinclair parked his unmarked Crown Vic behind the line of black-and-white Oakland PD cars. He stepped out of the car, swept his black suit coat back with his right hand to keep it from hanging up on the Sig Sauer .45 worn in a holster on his belt, and stood there, taking it all in.
A dozen uniformed officers occupied the street and side­walk in front of him, some talking with citizens and others huddled in groups of two or three, pens and aluminum clip­boards in hand. Sinclair glanced at his watch on his left wrist, slid a yellow pad from his folio, and wrote, 0552—Arrived at scene. Cool, clear/fog, dry, dark—but full moon, street lighting. He took a deep breath, tried to relax the knot in his stomach, and then strode toward the uniforms.
A heavyset man with sergeant stripes on his sleeves hur­ried toward him. His bald head glistened under the street­lights. “Matt, good to see you back in a coat and tie,&; Jim Clancy said.
“Good to be back,&; said Sinclair. “How many more days to go?&;
“Three months, eight days, two hours—but who&;s counting.&;
“Not gonna stick it out for thirty?&;
“The day I turn fifty, I&;m outta here. Twenty-six is plenty. What about you?&;
“Shit, Jim, I got fourteen years &;til I hit the big five-oh.&;
“Fourteen years—assholes don&;t get that much time for murder.&;
Sinclair raised his notebook and prepared to write. “Did you drag me out of bed at oh-dark-thirty just to bust my balls?&;
Clancy pulled a stack of assignment cards from his back pocket and looked at the notes he had scratched on the back of the cards. “An X-ray tech from Children&;s is walk­ing to the parking garage after an overtime shift and sees a kid slumped on the bus bench. Thought it didn&;t look right. You know, white kid, not dressed like he belongs in Oaktown after dark. Calls to him, shakes him, gets no response, so he calls nine-one-one as well as a nurse buddy in the ER. We get the call at zero-four-fifty-eight. First unit arrives the same time as paramedics at five-oh-four. I get here about ten minutes later. They pronounce him at the scene. Body was cold. Paramedics figure he&;d been dead at least an hour.&;
Sinclair looked up from his notepad. “Are you leaving out the obvious just to fuck with me?&;
“No apparent cause of death—no GSW, no stab wounds, no obvious trauma. Don&;t even know it&;s a homicide. Right now, we&;re writing it up as an SC Unexplained Death.&;
“Great,&; said Sinclair.
He preferred callouts where the bodies were peppered with a half-dozen gunshot wounds to SC, or “suspicious circumstance,&; deaths. These they had to handle like homi­cides, which they sometimes turned out to be, but just as often, after spinning his wheels and wasting days of work, he&;d get a call from the coroner saying the death was natu­ral or accidental.
Clancy put his notes away. “We called homicide because someone tied the kid&;s wrists and ankles together with flex-cuffs. Come on, I&;ll show you.&;
Cars containing early morning commuters slowed to check out the activity and then sped off. The eyes of every officer followed Sinclair. He was an average-sized cop. Six feet tall, with a slender, athletic build. This used to be one of his favorite moments, like walking the red carpet. He remembered his first homicide scene as a young patrol officer thirteen years ago—street...
The man heard a gasp from the backseat as he turned onto Fifty-Second Street. The girl named Samantha opened her eyes in a sudden panic. The eyes of the other girl in the backseat darted back and forth several times, as if she were trying to figure out where she was.
The man slowed the Cadillac Escalade at the parking lot of the emergency room. The lot was empty except for an ambulance, its back doors open toward the building. He spotted a camera and then a second one pointing down­ward, covering the parking lot and the wide glass doors that opened into the ER.
He jabbed the brake and stopped.
A uniformed security guard sat inside at a small desk. The man backed into the empty street and continued to the traffic light at Martin Luther King Jr. Way. A wide grass median divided the six-lane thoroughfare into north­bound and southbound lanes. Above, the elevated tracks for BART rested on huge concrete pedestals that looked like giant gray mushrooms in the fog that rolled in nightly from the San Francisco Bay. Traffic was light. The digital clock on his dash read 4:02.
He turned right and stopped at the bus stop just north of the corner. A Plexiglas shelter covered the bus bench. He climbed out of the driver&;s seat and jogged around the front of the SUV to the passenger side, opened the back door and lifted the older girl, Jenny, from the car seat, wrapping his arm around her to hold her up, and placed her on the ground. He shuffled her to the bench and sat her down, then returned to the car and brought Samantha to the bench in the same manner. Samantha leaned against her friend, resting her head on the other girl&;s shoulder, her eyes locked open in a zombie-like stare.
The man slipped Samantha&;s cell phone out of her clutch purse and turned it on. He scrolled to Mom and pressed the number.
“Sam, where have you been? You&;ve had me so worried.&;
He spoke slowly. “Ma&;am, Samantha is with a friend named Jenny. They can&;t talk right now, but they need your help.&;
“Who is this? Is this some kind of joke?&;
“Please listen carefully. The girls have taken some drugs and need to go to the hospital. Get something to write with and I&;ll tell you where they are.&;
“Who is this?&; she demanded.
When he didn&;t reply, her voice softened. “Okay, I have a pen.&;
“Outside Children&;s Hospital in Oakland, at a bus bench on Martin Luther King Way, just up from Fifty-Second Street. If you can&;t get here fast, you might want to call the hospital and have them pick up the girls.&;
“I got it. Now, who is this?&;
“A friend.&;
He pressed the end button, wiped the phone on his jacket lining, and returned it to Samantha&;s handbag. He scanned the area to ensure no one was watching. A car zipped by without slowing, and the driver didn&;t look his way.
“Girls, stay here,&; he said. “Your parents are on the way.&;
Samantha seemed to focus on him for a second, but then her eyes resumed their distant, Rohypnol stare.
He drove a block up the street and pulled to the curb. In his rearview mirror, he saw one of the girls poke her head out of the front of the shelter.
“Go back and sit down,&; he said under his breath.
She stood, looked straight ahead, and wobbled onto the sidewalk. She paused at the curb, and then stumbled, straight-legged into the street.
“No, no,&; he muttered.
A pair of headlights in his mirror grew larger, and car tires screeched on the asphalt. Then he heard the thud.
He jumped out of his SUV. The car stopped and two people got out. They bent over the form in the street. One yelled something. Seconds later, people dressed in blue, pink, and green hospital scrubs ran toward the accident.
He climbed into the Cadillac and drove off.
CHAPTER 2
Thirteen Months Later
Sergeant Matt Sinclair parked his unmarked Crown Vic behind the line of black-and-white Oakland PD cars. He stepped out of the car, swept his black suit coat back with his right hand to keep it from hanging up on the Sig Sauer .45 worn in a holster on his belt, and stood there, taking it all in.
A dozen uniformed officers occupied the street and side­walk in front of him, some talking with citizens and others huddled in groups of two or three, pens and aluminum clip­boards in hand. Sinclair glanced at his watch on his left wrist, slid a yellow pad from his folio, and wrote, 0552—Arrived at scene. Cool, clear/fog, dry, dark—but full moon, street lighting. He took a deep breath, tried to relax the knot in his stomach, and then strode toward the uniforms.
A heavyset man with sergeant stripes on his sleeves hur­ried toward him. His bald head glistened under the street­lights. “Matt, good to see you back in a coat and tie,&; Jim Clancy said.
“Good to be back,&; said Sinclair. “How many more days to go?&;
“Three months, eight days, two hours—but who&;s counting.&;
“Not gonna stick it out for thirty?&;
“The day I turn fifty, I&;m outta here. Twenty-six is plenty. What about you?&;
“Shit, Jim, I got fourteen years &;til I hit the big five-oh.&;
“Fourteen years—assholes don&;t get that much time for murder.&;
Sinclair raised his notebook and prepared to write. “Did you drag me out of bed at oh-dark-thirty just to bust my balls?&;
Clancy pulled a stack of assignment cards from his back pocket and looked at the notes he had scratched on the back of the cards. “An X-ray tech from Children&;s is walk­ing to the parking garage after an overtime shift and sees a kid slumped on the bus bench. Thought it didn&;t look right. You know, white kid, not dressed like he belongs in Oaktown after dark. Calls to him, shakes him, gets no response, so he calls nine-one-one as well as a nurse buddy in the ER. We get the call at zero-four-fifty-eight. First unit arrives the same time as paramedics at five-oh-four. I get here about ten minutes later. They pronounce him at the scene. Body was cold. Paramedics figure he&;d been dead at least an hour.&;
Sinclair looked up from his notepad. “Are you leaving out the obvious just to fuck with me?&;
“No apparent cause of death—no GSW, no stab wounds, no obvious trauma. Don&;t even know it&;s a homicide. Right now, we&;re writing it up as an SC Unexplained Death.&;
“Great,&; said Sinclair.
He preferred callouts where the bodies were peppered with a half-dozen gunshot wounds to SC, or “suspicious circumstance,&; deaths. These they had to handle like homi­cides, which they sometimes turned out to be, but just as often, after spinning his wheels and wasting days of work, he&;d get a call from the coroner saying the death was natu­ral or accidental.
Clancy put his notes away. “We called homicide because someone tied the kid&;s wrists and ankles together with flex-cuffs. Come on, I&;ll show you.&;
Cars containing early morning commuters slowed to check out the activity and then sped off. The eyes of every officer followed Sinclair. He was an average-sized cop. Six feet tall, with a slender, athletic build. This used to be one of his favorite moments, like walking the red carpet. He remembered his first homicide scene as a young patrol officer thirteen years ago—street...
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