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This is a reprint of the classic work of existential philosophy by Miguel de Unamuno, Tragic Sense of Life. Translated by J. E. Crawford Fitch. Miguel de Unamuno y Jugo (29 September 1864 – 31 December 1936) was a Spanish Basque essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca. His major philosophical essay was The Tragic Sense of Life (1912), and his most famous novel was Abel Sánchez: The History of a Passion (1917), a modern exploration of the Cain and Abel story. Unamuno: "Those who believe they believe in God, but without passion in the heart, without uncertainty, without doubt, and even at times without despair, believe only in the idea of God, and not in God himself." Unamuno's philosophy was not systematic but rather a negation of all systems and an affirmation of faith "in itself." He developed intellectually under the influence of rationalism and positivism, but during his youth he wrote articles that clearly show his sympathy for socialism and his great concern for the situation in which he found Spain at the time. An important concept for Unamuno was intrahistoria. He thought that history could best be understood by looking at the small histories of anonymous people, rather than by focusing on major events such as wars and political pacts. Some authors relativize the importance of intrahistoria in his thinking. Those authors say that more than a clear concept is an ambiguous metaphor. The term first appears in the essay En torno al casticismo (1895), but Unamuno leaves it soon. In the late nineteenth century Unamuno suffered a religious crisis and left the positivist philosophy. Then, in the early twentieth century, he developed his own thinking influenced by existentialism. Unamuno's Del sentimiento trágico de la vida (The Tragic Sense of Life) (1912) as well as two other works — La agonía del cristianismo (The Agony of Christianity) (1931) and his novella "San Manuel Bueno, mártir" (1930) — were included on the Index Librorum Prohibitorum. Life was tragic, according to Unamuno, because of the knowledge that we are to die. He explains much of human activity as an attempt to survive, in some form, after our death. Unamuno summarized his personal creed thus: "My religion is to seek for truth in life and for life in truth, even knowing that I shall not find them while I live." He said, "Among men of flesh and bone there have been typical examples of those who possess this tragic sense of life. I recall now Marcus Aurelius, St. Augustine, Pascal, Rousseau, René, Obermann, Thomson, Leopardi, Vigny, Lenau, Kleist, Amiel, Quental, Kierkegaard—men burdened with wisdom rather than with knowledge." He provides a stimulating discussion of the differences between faith and reason in his book The Tragic Sense of Life. A historically influential paperfolder from childhood to his last, difficult days, in several works Unamuno ironically expressed philosophical views of Platonism, Scholasticism, positivism, and the "science vs religion" issue in terms of "origami" figures, notably the traditional Spanish pajarita. Since he was also a linguist (professor of Greek), he coined the word “cocotología” ("cocotology") to describe the art of paper folding. After the conclusion of Amor y pedagogía (Love and Pedagogy, 1902), he included in the volume, attributing it to one of the characters, "Notes for a Treatise on Cocotology" ("Apuntes para un tratado de cocotología").
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This is a reprint of the classic work of existential philosophy by Miguel de Unamuno, Tragic Sense of Life. Translated by J. E. Crawford Fitch. Miguel de Unamuno y Jugo (29 September 1864 – 31 December 1936) was a Spanish Basque essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca. His major philosophical essay was The Tragic Sense of Life (1912), and his most famous novel was Abel Sánchez: The History of a Passion (1917), a modern exploration of the Cain and Abel story. Unamuno: "Those who believe they believe in God, but without passion in the heart, without uncertainty, without doubt, and even at times without despair, believe only in the idea of God, and not in God himself." Unamuno's philosophy was not systematic but rather a negation of all systems and an affirmation of faith "in itself." He developed intellectually under the influence of rationalism and positivism, but during his youth he wrote articles that clearly show his sympathy for socialism and his great concern for the situation in which he found Spain at the time. An important concept for Unamuno was intrahistoria. He thought that history could best be understood by looking at the small histories of anonymous people, rather than by focusing on major events such as wars and political pacts. Some authors relativize the importance of intrahistoria in his thinking. Those authors say that more than a clear concept is an ambiguous metaphor. The term first appears in the essay En torno al casticismo (1895), but Unamuno leaves it soon. In the late nineteenth century Unamuno suffered a religious crisis and left the positivist philosophy. Then, in the early twentieth century, he developed his own thinking influenced by existentialism. Unamuno's Del sentimiento trágico de la vida (The Tragic Sense of Life) (1912) as well as two other works — La agonía del cristianismo (The Agony of Christianity) (1931) and his novella "San Manuel Bueno, mártir" (1930) — were included on the Index Librorum Prohibitorum. Life was tragic, according to Unamuno, because of the knowledge that we are to die. He explains much of human activity as an attempt to survive, in some form, after our death. Unamuno summarized his personal creed thus: "My religion is to seek for truth in life and for life in truth, even knowing that I shall not find them while I live." He said, "Among men of flesh and bone there have been typical examples of those who possess this tragic sense of life. I recall now Marcus Aurelius, St. Augustine, Pascal, Rousseau, René, Obermann, Thomson, Leopardi, Vigny, Lenau, Kleist, Amiel, Quental, Kierkegaard—men burdened with wisdom rather than with knowledge." He provides a stimulating discussion of the differences between faith and reason in his book The Tragic Sense of Life. A historically influential paperfolder from childhood to his last, difficult days, in several works Unamuno ironically expressed philosophical views of Platonism, Scholasticism, positivism, and the "science vs religion" issue in terms of "origami" figures, notably the traditional Spanish pajarita. Since he was also a linguist (professor of Greek), he coined the word “cocotología” ("cocotology") to describe the art of paper folding. After the conclusion of Amor y pedagogía (Love and Pedagogy, 1902), he included in the volume, attributing it to one of the characters, "Notes for a Treatise on Cocotology" ("Apuntes para un tratado de cocotología").
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Tragic Sense of Life
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Beloved Publishing LLC, 2018
ISBN 10: 1631741691
ISBN 13: 9781631741692
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Anbieter: Southampton Books, Sag Harbor, NY, USA
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