The fallibility of the criminal justice system and the duplicity of the image: Taryn Simon’s acclaimed and beautifully produced first book, available in an expanded edition with previously unpublished images, essays and archival material
Taryn Simon’s earliest body of work, The Innocents (2002), documents the stories of individuals who served time in prison for violent crimes they did not commit. The series centers on the question of photography as credible witness and arbiter of justice, since a primary cause of wrongful conviction is mistaken identification. Suspected perpetrators are identified through photographs and lineups, a procedure that relies on the assumption of precise visual memory. But through exposure to composite sketches, mug shots, Polaroids and lineups, eyewitness memory can change. In these cases, photography offered the criminal-justice system a tool that transformed innocent citizens into criminals. Simon photographed these men and one woman at sites that had particular significance to their illegitimate conviction: the scene of misidentification, the scene of arrest, the scene of the crime, or the scene of the alibi.
The Innocents was first exhibited at MoMA PS1 in 2003. The 2020 edition of the book includes previously unpublished images and new essays by Innocence Project cofounders Peter Neufeld and Barry C. Scheck, and by professor and curator Nicole R. Fleetwood and criminal justice reform activist Tyra Patterson.
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Hardcover. Zustand: new. Hardcover. The fallibility of the criminal legal system and the duplicity of the image: Taryn Simon's acclaimed and beautifully produced first book, available in an expanded edition with previously unpublished images, essays and archival materialTaryn Simon's earliest body of work, The Innocents (2003), documents stories of individuals who were incarcerated for violent crimes they did not commit. The project stands as a photographic record of some of the earliest DNA-based exonerations in the United States and as a searing indictment of America's criminal legal system.The Innocents interrogates photography's credibility as an arbiter of justice. People suspected of committing crimes are identified through photographs and lineups, a procedure that relies on the assumption of precise visual memory. But through exposure to composite sketches, mug shots, Polaroids and lineups, eyewitness memory can change. In the cases in this book, photography aided in convicting and imprisoning people for crimes they did not commit. The Innocents compiles Simon's photographs of 46 individuals at sites that had particular significance to their convictions: the scene of the crime, misidentification, arrest or alibi.This expanded edition includes previously unpublished images; a new introduction by Innocence Project cofounders Peter J. Neufeld and Barry C. Scheck; a new essay by professor and curator Nicole R. Fleetwood based on a conversation with criminal legal and social justice activist Tyra Patterson; as well as police reports, court transcripts and correspondence detailing the procedures behind many of the misidentifications and wrongful convictions in this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781633450837
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