We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Höch, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper. Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.'
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Jodi Hauptman is Senior Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York. Adrian Sudhalter is Research Curator of The Merrill C. Berman Collection, Rye, New York.
We regarded ourselves as engineers, we maintained that we were building things’, declared Hannah Höch, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era’s shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes – Dada, the Bauhaus, Futurism, Constructivism and de Stijl – reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.
Published in conjunction with a major exhibition celebrating MoMA’s acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period
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Hardcover. Zustand: new. Hardcover. We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Hoech, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.' How the modernist avant-garde from Dada to constructivism re-conceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781633451087
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Hardcover. Zustand: fine. Zustand des Schutzumschlags: Fine. First edition. Published in conjunction with the exhibition Engineer, Agitator, Constructor: The Artist Reinvented, 1918-1939 at the Museum of Modern Art, New York, May 10-September 12, 2020, curated by the Department of Drawings and Prints. Very gently used, no edition specified. 9¼" - 12¼". book. Bestandsnummer des Verkäufers 278429
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