Before the harsh days of the 2020 lockdown, a son sees the decline of his father through Alzheimer's. Despite its ugliness, moments of beauty are found. When isolation arrives, the son still finds beauty in a walled off world.
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Les Epstein is a poet, playwright, opera librettist and educator. His work has appeared in journals in the United States, Philippines, India and the U.K., including Slant, The Bacopa Review, Mojave River Review, Clinch Mountain Review, and Jelly Bucket as well as the anthologies Heat the Grease (Gnashing Teeth Publishing) and Pain & Renewal (Vita Brevis Press). His work was honored by the Writers Guild of Gainesville (FL) in 2021 and has been featured in the podcast, "Sunflower Sutras," broadcast out of Washburn University. His chapbook, "Kip Divided," will appear from Finishing Line Press in 2022. As a playwright, his work has been staged by such theaters as the Belfast Maskers (Maine), Greenbrier Valley Theater (WV), Stone's Throw Dinner Theater (Missouri) and the Roy Arias Studio (New York). He contributed libretti for two operas, Barefoot (1997 premiere) and Miss Lucy (2011 premiere). Cyberwit released a collection of his short plays and libretti (Seven) in 2018. Epstein's bi-lingual collaboration with Claudia de Franko, Llorona of the River is available through Silver Birchington Plays. He received undergraduate degrees in Theater Performance and English from Otterbein College, and MA in English from Miami (Ohio) University and continued with studies in Literature at New York University and in Theater Education at The Ohio State University. He completed his teacher training at Mary Baldwin College. In addition to work with theater, opera and ballet companies from North Carolina to New York City he spent ten seasons as Education Director and Production Coordinator for Opera/Columbus and another seven as Executive Director for the Children's Theater of Winston-Salem before settling in as a teacher with Community High School (Roanoke) for which has staged more than thirty-five productions.
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