Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera’s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator—Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Caitlin Vincent is an award-winning librettist, trained vocalist, opera company director, and arts commentator. Her librettos have won all three of America’s top opera prizes and her vocal work is featured on the Grammy Award–nominated album 40@40. Vincent was the artistic director of The Figaro Project from 2009 to 2014. She writes frequently on the arts for such outlets as The Conversation and Limelight, and her perspective on opera has been featured in The New York Times. She holds a PhD from Deakin University (Australia), an MM from Peabody Conservatory at Johns Hopkins, and a BA from Harvard. She was born in the US but currently makes her home in Melbourne, Australia.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Big River Books, Powder Springs, GA, USA
Zustand: very_good. This is a withdrawn library or rental book. It is stamped or stickered. Bestandsnummer des Verkäufers BRV.1668084066.VG
Anzahl: 2 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 51721689-n
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Hardback. Zustand: New. Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera's colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.Drawing on interviews with dozens of opera insiders-as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator-Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there's any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industry's top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can't quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical. Bestandsnummer des Verkäufers LU-9781668084069
Anzahl: Mehr als 20 verfügbar
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Hardback or Cased Book. Zustand: New. Opera Wars: Inside the World of Opera and the Battles for Its Future. Book. Bestandsnummer des Verkäufers BBS-9781668084069
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 51721689
Anzahl: Mehr als 20 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: As New. Unread copy in mint condition. Bestandsnummer des Verkäufers SS9781668084069
Anzahl: Mehr als 20 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Brand New. Bestandsnummer des Verkäufers 9781668084069
Anzahl: Mehr als 20 verfügbar
Anbieter: California Books, Miami, FL, USA
Zustand: New. Bestandsnummer des Verkäufers I-9781668084069
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Hardback. Zustand: New. Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera's colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.Drawing on interviews with dozens of opera insiders-as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator-Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there's any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industry's top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can't quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical. Bestandsnummer des Verkäufers LU-9781668084069
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. Blunt, irreverent, and at times delightfully subversive, Opera Wars spotlights operas colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic futurea colorful, witty look behind the velvet curtain (Renee Fleming).Drawing on interviews with dozens of opera insidersas well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentatorCaitlin Vincent gives us the insiders backstage view (Financial Times), deftly unraveling cliches and presumptions. She exposes such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether theres any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industrys top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who cant quite break away, she always comes back to her veneration for the artform, and in these pages"suitable for young operaphiles-in-training and budding sopranos alike (The Wall Street Journal)she stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical. A blunt, irreverent, and at times wittily subversive backstage pass to a surprisingly contentious artformone that spotlights operas colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781668084069