9781732010611: NESS.docs: Issue 1/ Hashim Sarkis Studios 1998 – 2017

Inhaltsangabe

NESS.docs on Hashim Sarkis Studios has two parts: Projects and Dialogues. The first section includes enticing visual documentation on HSS’s projects (Balloon Landing Park, Housing for the Fishermen, Daily Mosque, Town Hall & Park, Float Pavilion, Watermelon Landscape, and Courtowers) complemented by critical remarks by Nader Tehrani and Sarkis. In the Dialogues section issues an interview to Sarkis by editors, Florencia Rodriguez and José Mayoral, a conversation between Angelo Bucci and Sarkis, and a discussion between Stan Allen, Kenneth Frampton, and Sarkis.

"Architecture simultaneously responds to two parallel and seemingly contrasting inputs. First, to the internal concerns of the architect who seeks to react to his own intellectual, emotional or social preoccupations through built work. In some cases, that internal impulse inspires the architect to materialize the same interest again and again, through every work. Second, there are specific requirements for each built work: an encounter with reality and the need to consider the context, people and society, all factors which make every architectural project a highly specific venture. This secondary input provides a solution for challenges that can at first seem extremely undefined. In the case of Hashim Sarkis, such dialectic relationships are expressed throughout one consistent focus: the relationship between the sky and the ground. This relationship is present in every work despite diverse contexts, that bring singularity to every architectural project. Through his numerous built works, we have seen the many ways in which sky and ground can be constructed, framed, viewed, approached, dis-covered, and reinterpreted. A rich set of operations redefine the challenges present throughout every built work: how does a building emerge from a discrete plane and close towards the infinite sky? How do we negotiate the certainties of reality with the uncertainties of that which we cannot measure, that which is not only void, but that in its dynamic movements and constant transformations imprints upon the real? By the real, we mean the façades of buildings, the reflection of windows, and all of the internal and external attributes of the built fabric as well as those of landscapes with color, temperatures, humidity, and, of course, the passing of time that is registered in every component, except in the sky." (Extract of Jose Mayoral & Felipe Vera’s opening essay, “Understanding a Reflective Practice: Drawing the Third Line”)

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Über die Autorinnen und Autoren

Florencia Rodriguez is an architect, critic, curator, and lecturer. She is one of the founders of Lots of architecture publishers, where she acts as Chair and Editor in Chief. In 2010, Florencia founded PLOT, one of the ongoing leading publications in Spanish. In 2013 she received the Loeb Fellowship from the Harvard Graduate School of Design. She has taught Theory at Torcuato Di Tella University in Argentina, and has taught isolated courses in other institutions abroad. She has received awards for her editorial work and acted as juror in various opportunities among which the Mies Crown Hall Americas Prize (MCHAP) stands out.

Pablo Gerson is an architect, photographer, documentary filmmaker, and lecturer. He acts as Chief Executive Officer of the editorial platform Lots of architecture publishers. He has built his professional practice on audiovisual production, where his work specializes on themes related to architecture, urbanism, landscape, and theory. Gerson is a professor at the School of Architecture and Urban Studies at Torcuato di Tella University, previously he has taught at the Universidad de Buenos Aires, Universidad de Palermo, and The Boston Architectural College. His work has been published widely.

Daniela Freiberg is an architect and editor of the editorial platform Lots of architecture publishers. She studied at the University of Córdoba and is a Master's Degree candidate in History and Culture of Architecture and the City at Torcuato Di Tella University. She was commissioner for the Uruguay Pavilion at Venice Biennale 2012 & 2014 and has worked on projects focused on architecture and visual arts management such as the Archigram Archives catalogue in London, three editions of the Dark Side Club in Venice, and the digitization of the exhibition archive at Fundación PROA in Buenos Aires.

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