The large literature about politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. This title examines the vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry.
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Doug Dibbern has published on the Hollywood Left, Fritz Lang, and Howard Hawks, as well as contributing to journals such as Cineaste and The Daily Notebook at Mubi.com. He teaches in the Expository Writing Program at New York University.
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Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The large literature about politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. This title examines the vibrant cycle of independently produced political films made while . Bestandsnummer des Verkäufers 596817505
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Hardcover. Zustand: new. Hardcover. The large literature about the politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. "Hollywood Riots" examines the most vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. In doing so, it shifts the focus from the politics of Washington to the politics of Los Angeles and from the films of the Hollywood Ten to the more politically complex films of the progressive community at large. Dibbern shows how the movies produced by progressives at the end of the 1950s, including "The Lawless", "The Sound of Fury", "The Underworld", were the logical cinematic parallel to their political and journalistic advocacy fighting the conservative newspapers. In these films they were recasting political events from California's recent past as politically-engaged narratives that were inflected with their own fears of persecution."Hollywood Riots" re-views the work of notable directors like Joseph Losey and Cy Endfield, as well as introducing unheralded political screenwriters and directors such as Daniel Mainwaring, Jo Pagano, and Leo C. Popkin. The large literature about politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. This title examines the vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781780766324
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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The large literature about the politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. 'Hollywood Riots' examines the most vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. In doing so, it shifts the focus from the politics of Washington to the politics of Los Angeles and from the films of the Hollywood Ten to the more politically complex films of the progressive community at large. Dibbern shows how the movies produced by progressives at the end of the 1950s, including 'The Lawless', 'The Sound of Fury', 'The Underworld', were the logical cinematic parallel to their political and journalistic advocacy fighting the conservative newspapers. In these films they were recasting political events from California's recent past as politically-engaged narratives that were inflected with their own fears of persecution.'Hollywood Riots' re-views the work of notable directors like Joseph Losey and Cy Endfield, as well as introducing unheralded political screenwriters and directors such as Daniel Mainwaring, Jo Pagano, and Leo C. Popkin. Bestandsnummer des Verkäufers 9781780766324
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Hardcover. Zustand: new. Hardcover. The large literature about the politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. "Hollywood Riots" examines the most vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. In doing so, it shifts the focus from the politics of Washington to the politics of Los Angeles and from the films of the Hollywood Ten to the more politically complex films of the progressive community at large. Dibbern shows how the movies produced by progressives at the end of the 1950s, including "The Lawless", "The Sound of Fury", "The Underworld", were the logical cinematic parallel to their political and journalistic advocacy fighting the conservative newspapers. In these films they were recasting political events from California's recent past as politically-engaged narratives that were inflected with their own fears of persecution."Hollywood Riots" re-views the work of notable directors like Joseph Losey and Cy Endfield, as well as introducing unheralded political screenwriters and directors such as Daniel Mainwaring, Jo Pagano, and Leo C. Popkin. The large literature about politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. This title examines the vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781780766324
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