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Inhaltsangabe
A beautifully illustrated catalogue to a major exhibition at the Fitzwilliam Museum, Cambridge, exploring enslavement, rebellion, revolution and Abolitionism through art, 1750-1850.
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Über die Autorinnen und Autoren
Victoria Avery has been Keeper of European Sculpture & Decorative Arts at the Fitzwilliam Museum, University of Cambridge, since 2010 prior to which she was Associate Professor in the Department of Art History at the University of Warwick. Vicky has lectured and published widely on all aspects of the decorative arts and sculpture, most recently Michelangelo: Sculptor in Bronze (2018); and is leading a new digital research project, Representations of Black People in European Sculpture, 1450-1950. Vicky has curated numerous interdisciplinary exhibitions, including Treasured Possessions (2015); Madonnas & Miracles (2017); and Feast & Fast (2019-2020), from which she is co-editing a multi-author volume, The pineapple from domestication to commodification: Re-presenting a global fruit, for the Proceedings of the British Academy (2024).
Wanja Kimani is a visual artist, writer and curator whose research explores diasporic cultural histories and the evolving relationship between the body and the land. She has curated and collaborated on international exhibitions with artists, primarily from East Africa. In 2022, she represented Kenya at the 59th Venice Biennale and is currently pursuing a practice-led PhD at Chelsea College of Arts, UAL.
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Paperback. Zustand: New. A beautifully illustrated catalogue to a major exhibition at the Fitzwilliam Museum, Cambridge, exploring enslavement, rebellion, revolution and Abolitionism through art, 1750-1850.Drawing on new research, Rise Up and the accompanying exhibition look at the period from 1750 to 1850 when Britain became the world's first industrialised nation and one of history's largest empires. At the same time, it played a central role in the Atlantic slave trade, trafficking more captive African people than any other European power. Millions were forcibly abducted and transported to work on British-owned plantations in the Caribbean and the Americas.In Britain, Black and white anti-slavery groups and individuals campaigned for abolition, with Cambridge playing a leading role in the 1780s. Despite opposition, laws were gradually enacted to abolish the slave trade in 1807, and enslavement in 1833. However, other exploitative systems, including apprenticeship and indentured labour, took their place. Financial compensation was awarded to former enslavers, while the formerly enslaved received nothing.This is the multifaceted story of the fight to end Atlantic slavery, of its aftermath and ongoing legacies. It is told through the stories of individuals and communities from across the Caribbean, Europe and the Americas, and through an interrogation of historic objects and artworks, in conversation with works by contemporary artists.Despite the passing of almost two centuries since Britain outlawed slavery, for peoples of the global majority, the struggles for autonomy, equality and social justice continue today. Bestandsnummer des Verkäufers LU-9781781301357
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Philip Wilson Publishers Ltd, London, 2025
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Paperback. Zustand: new. Paperback. A beautifully illustrated catalogue to a major exhibition at the Fitzwilliam Museum, Cambridge, exploring enslavement, rebellion, revolution and Abolitionism through art, 17501850.Drawing on new research, Rise Up and the accompanying exhibition look at the period from 1750 to 1850 when Britain became the worlds first industrialised nation and one of historys largest empires. At the same time, it played a central role in the Atlantic slave trade, trafficking more captive African people than any other European power. Millions were forcibly abducted and transported to work on British-owned plantations in the Caribbean and the Americas.In Britain, Black and white anti-slavery groups and individuals campaigned for abolition, with Cambridge playing a leading role in the 1780s. Despite opposition, laws were gradually enacted to abolish the slave trade in 1807, and enslavement in 1833. However, other exploitative systems, including apprenticeship and indentured labour, took their place. Financial compensation was awarded to former enslavers, while the formerly enslaved received nothing.This is the multifaceted story of the fight to end Atlantic slavery, of its aftermath and ongoing legacies. It is told through the stories of individuals and communities from across the Caribbean, Europe and the Americas, and through an interrogation of historic objects and artworks, in conversation with works by contemporary artists.Despite the passing of almost two centuries since Britain outlawed slavery, for peoples of the global majority, the struggles for autonomy, equality and social justice continue today. A beautifully illustrated catalogue to a major exhibition at the Fitzwilliam Museum, Cambridge, exploring enslavement, rebellion, revolution and Abolitionism through art, 17501850. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781781301357
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