Bandoneon: Working with Pina Bausch - Softcover

Hoghe, Raimund; Weiss, Ulli

 
9781783193271: Bandoneon: Working with Pina Bausch

Inhaltsangabe

A new translation of Raimund Hoghe's original rehearsal diary that documented the legendary Tanztheater Wuppertal's work on Bandoneon (1980).

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Über die Autorinnen und Autoren

Penny Black, after studying drama at Schauspielschule Krauss in Vienna, started her writing career adapting YES, MY FUEHRER and THE GALIZIAN JEWESS from the novels by Brigitte Schwaiger for the Edinburgh Festival 1993 and London 1994, which won several awards. Since then she has translated and adapted over 40 plays for a variety of theatres such as the Royal Court, the Gate, the National Theatre, Lyric Hammersmith, Arcola Theatre as well as venues in America and Australia. Her translation of VENEZUELA by Guy Helminger is taught on the MRes in Playwriting Studies at Birmingham University. Her translation of Nobel-prize-winner Elfriede Jelinek's SPORTSPLAY toured the UK in 2012 and was chosen as a Cultural Olympic Pop-Up event. Her first original play MAKING BABIES, which looks at IVF and all aspects of fertility, was produced in 2004 in Heilbronn, Germany and by Tiyatro Keyfi in Istanbul, 2016; SEE NO EVIL, at Southwark Playhouse in 2007; and SUDDEN SILENCE, was part of a festival of new writing at the Arcola Theatre in 2009. She is currently adapting a novel, ABSENT, by the Scottish-Iraqi writer Betool Khedairi, to be entitled HUMAN HONEY, for Merchant Culture in Glasgow. Penny also works as a dramaturg: projects include TOSCA'S KISS by Kenneth Jupp for Annette Niemtzow, NYC, and work with Simon McBurney on his MAGIC FLUTE for the DNO/ENO. Penny is president of the Dramaturgs' Network and is the 2017-2018 Royal Literary Fund Fellow at St Mary's University, Twickenham.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs' Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs' Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015.

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