Most filmgoers think of editing and special effects as distinct components of the filmmaking process. Yet film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day.
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Kristen Whissel is a professor of filmand media at the University of California,Berkeley. She is the author of SpectacularDigital Effects: CGI and ContemporaryCinema and of Picturing AmericanModernity: Traffic, Technology and the SilentCinema. She is guest editor of two specialissues of film Criticism journal, on digitaleffects and on 3D.
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Paperback. Zustand: new. Paperback. The expert contributors together trace how the arts of editingand effects have evolved in tandem, starting with the 'trick films'of the early silent era, which astounded audiences by splicingin or editing out key frames, all the way to today's cutting-edgeeffects technologies. Multiple filmmaking techniques are exploredthroughout, from classic Hollywood's rear projection and matteshots to the fast cuts and wall-to-wall CGI of the contemporaryblockbuster. The book introduces readers to the analog and digitaltools used in these crafts, showing the impact of changes in the filmindustry itself. Most filmgoers think of editing and special effects as distinct components of the filmmaking process. Yet film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781784536985
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Paperback. Zustand: New. The expert contributors together trace how the arts of editingand effects have evolved in tandem, starting with the 'trick films'of the early silent era, which astounded audiences by splicingin or editing out key frames, all the way to today's cutting-edgeeffects technologies. Multiple filmmaking techniques are exploredthroughout, from classic Hollywood's rear projection and matteshots to the fast cuts and wall-to-wall CGI of the contemporaryblockbuster. The book introduces readers to the analog and digitaltools used in these crafts, showing the impact of changes in the filmindustry itself. Bestandsnummer des Verkäufers LU-9781784536985
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Zustand: New. Most filmgoers think of editing and special effects as distinct components of the filmmaking process. Yet film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editor(s): Keil, Charlie; Whissel, Kristen. Num Pages: 256 pages, 16 colour illustrations in a 8 page plate section and 29 integrated black and white illus. BIC Classification: APFA; KNTC. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly. Dimension: 231 x 151 x 18. Weight in Grams: 460. . 2016. Paperback. . . . . Bestandsnummer des Verkäufers V9781784536985
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Zustand: New. Most filmgoers think of editing and special effects as distinct components of the filmmaking process. Yet film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editor(s): Keil, Charlie; Whissel, Kristen. Num Pages: 256 pages, 16 colour illustrations in a 8 page plate section and 29 integrated black and white illus. BIC Classification: APFA; KNTC. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly. Dimension: 231 x 151 x 18. Weight in Grams: 460. . 2016. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781784536985