This collection of fourteen new essays explores Irish theatre from exciting new perspectives. How has Irish theatre been received internationally – and, as the country becomes more multicultural, how will international theatre influence the development of drama in Ireland? As Ireland changes, how should we think about the works of familiar figures – writers like Synge, O’Casey, Friel, Murphy, Carr, and McGuinness? Is the distinction between popular and literary drama tenable in a Celtic Tiger Ireland where the arts and economics are becoming increasingly intertwined? And is it time to remember less established Irish writers? Drawing together a range of international experts, this book aims to answer these and many other important questions.
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Patrick Lonergan lectures in English at National University of Ireland, Galway, and is an Ireland Representative for the International Association for the Study of Irish Literature. He writes about theatre in the west of Ireland for The Irish Times, and is reviews editor of irish theatre magazine. He has lectured on Irish drama at a variety of venues, including the Edinburgh International Festival, the Royal Irish Academy, and the Notre Dame Irish Seminar. He is currently working on a book on Irish Theatre and Globalization. Riana O’Dwyer is Senior Lecturer in the English Department at National University of Ireland, Galway. She has been Chairperson of the International Association for the Study of Irish Literatures [IASIL] since 2003 and was one of the organizers of IASIL Triennial Conference 2004 at Galway. She has lectured and published on Joyce, modern Irish drama, Irish studies, and Irish women novelists of the nineteenth century.
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Paperback. Zustand: New. This collection of fourteen new essays explores Irish theatre from exciting new perspectives. How has Irish theatre been received internationally - and, as the country becomes more multicultural, how will international theatre influence the development of drama in Ireland? As Ireland changes, how should we think about the works of familiar figures - writers like Synge, O'Casey, Friel, Murphy, Carr, and McGuinness? Is the distinction between popular and literary drama tenable in a Celtic Tiger Ireland where the arts and economics are becoming increasingly intertwined? And is it time to remember less established Irish writers? Drawing together a range of international experts, this book aims to answer these and many other important questions. Bestandsnummer des Verkäufers LU-9781788749428
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Paperback. Zustand: new. Paperback. This collection of fourteen new essays explores Irish theatre from exciting new perspectives. How has Irish theatre been received internationally and, as the country becomes more multicultural, how will international theatre influence the development of drama in Ireland? As Ireland changes, how should we think about the works of familiar figures writers like Synge, OCasey, Friel, Murphy, Carr, and McGuinness? Is the distinction between popular and literary drama tenable in a Celtic Tiger Ireland where the arts and economics are becoming increasingly intertwined? And is it time to remember less established Irish writers? Drawing together a range of international experts, this book aims to answer these and many other important questions. As Ireland changes, how should we think about the works of familiar figures writers like Synge, OCasey, Friel, Murphy, Carr and McGuinness? Is the distinction between popular and literary drama tenable in a Celtic Tiger Ireland where the arts and economics are becoming increasingly intertwined. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781788749428
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