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The long-established dialogue between architecture and film offers an interdisciplinary platform for a critical examination of spaces of in-between.
Apart from architecture informing scenography and cities serving as backdrops to the moving image, films have actively participated in shaping the public opinion about architecture and its allied disciplines. While architecture and design may not necessarily be central themes in a film, their spatial contextualization of the narrative informs cinematic productions. Screen, Space, and the In-Between looks at both the filmic imagination/representation of architectural in-betweenness, as well as the in-between spaces within the inherent architectural structure of filmic expression.
On the one hand, cinematic production serves as a site to project utopian fantasies of the built environment, and on the other hand, the processes, tools, and methods involved in both architecture and film, function as mediators between abstract ideation and its materialized manifestation.
The book interrogates the filmic creation of spatial imaginaries through the anthropological lens, especially as the disciplines in the built environment react to the liminal spaces of the cinematic. It adopts cinematic experiences of the built environment as a vantage point to reframe ongoing theoretical debates about liminal spaces.
Foreword by Mark Foster Gage
Contributors: Giuliana Bruno, Beatriz Colomina, James F. Kerestes, Graham Harman, Ferda Kolatan, Juhani Pallasmaa, Eva Perez De Vega, Mehmet Sahinler, Patrik Schumacher, Maria Sieira, Alican Taylan, Vahid Vahdat, Jason Vigneri-Beane, Jon Yoder, Michael Young
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Über die Autorin bzw. den Autor
Vahid Vahdat is an assistant professor of architecture and interior design at WSU’s School of Design and Construction. His primary field of research is spatial mediation, with an emphasis on virtual reality and film. He is the author of Occidentalist Perceptions of European Architecture in Nineteenth Century Persian Travel Diaries: Travels in Farangi Space.
James F. Kerestes is an associate professor of architecture at Ball State University’s College of Architecture and
Planning. Prior to his current position at Ball State, he taught digital media and emergent technologies at Pratt Institute, Princeton University, and the University of Pennsylvania.
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Hardcover. Zustand: new. Hardcover. How films imagine and represent in-between spaces and how cinematic production becomes a site to project spatial fantasies. Architecture, Film, and the Inbetween: Spatio-Cinematic Betwixt looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnes Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosopherssuch as Juhani Pallasmaa, Beatriz Colomina, and Graham Harmanthe book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies. Architecture, Film, and the In-Between: Spatio-Cinematic Betwixt brings together some of the most prominent thinkers in contemporary architectural discourses with an investigation of the filmic imagination of architectural in-betweenness, as well as the in-between spaces within the architectural structure of filmic expression. 32 col illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781789387377
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Hardcover. Zustand: new. Hardcover. How films imagine and represent in-between spaces and how cinematic production becomes a site to project spatial fantasies. Architecture, Film, and the Inbetween: Spatio-Cinematic Betwixt looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnes Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosopherssuch as Juhani Pallasmaa, Beatriz Colomina, and Graham Harmanthe book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies. Architecture, Film, and the In-Between: Spatio-Cinematic Betwixt brings together some of the most prominent thinkers in contemporary architectural discourses with an investigation of the filmic imagination of architectural in-betweenness, as well as the in-between spaces within the architectural structure of filmic expression. 32 col illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781789387377
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Hardcover. Zustand: new. Hardcover. How films imagine and represent in-between spaces and how cinematic production becomes a site to project spatial fantasies. Architecture, Film, and the Inbetween: Spatio-Cinematic Betwixt looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnes Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosopherssuch as Juhani Pallasmaa, Beatriz Colomina, and Graham Harmanthe book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies. Architecture, Film, and the In-Between: Spatio-Cinematic Betwixt brings together some of the most prominent thinkers in contemporary architectural discourses with an investigation of the filmic imagination of architectural in-betweenness, as well as the in-between spaces within the architectural structure of filmic expression. 32 col illus. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781789387377
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