Inhaltsangabe
The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds’ music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus.
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Über die Autorinnen und Autoren
Brett Lashua is Lecturer, Sociology of the Media and Education, University College London
Karl Spracklen is an associate professor of sociology of leisure and culture at Leeds Beckett University and a visiting professor at the University of Huddersfield. He is one of the co-founders of the International Society for Metal Music Studies (ISMMS) and the first principal editor of Metal Music Studies. He is interested in identity, social justice, subcultures, resistance and alternativity. He has written eight monographs that have had some greater or lesser impact.
Contact: School of Humanities and Social Sciences, Portland Building, Leeds Beckett University, City Campus, Leeds LS1 3HE, UK.
Kitty Ross is Curator of Leeds History and Social History, Leeds Museums and Galleries.
Paul Thompson is a professional recording engineer, educator and Reader in popular music at Leeds Beckett University. He is the author of Creativity in the Recording Studio: Alternative Takes (Palgrave MacMillan, 2019) and co-author of Paul McCartney and His Creative Practice: The Beatles and Beyond (Palgrave MacMillan, 2021) with Professor Phillip McIntyre.
Contact: Leeds School of Arts, Leeds Beckett University, Portland Way, Leeds, LS1 3BP, UK.
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Paperback. Zustand: new. Paperback. A groundbreaking study of music and musical history in Leeds. This is the first scholarly volume to focus on popular music in Leeds. It delves into the rich musical history of Leeds and its long tradition of vibrant venues, nightclubs, dance halls, pubs, and other sites of musical entertainment. The contributors use the popular music of Leeds to exemplify and inform understandings of broader cultural and urban changes, the social and historical significance of music as mass media; music and migration; music, racialization, and social equity; and industrial decline, deindustrialization, neoliberalism, and the rise of the twenty-four-hour city. Charting moments of stark musical politicization and de-politicization, while also tracing arguments about heritagizing popular music within discussions about musics place in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds and beyond. The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781789388619
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