Tragicomedy is one of the most important dramatic genres in Renaissance literature, and the essays collected here offer stimulating new perspectives and insights, as well as providing broad introductions to arguably lesser-known European texts. Alongside the chapters on Classical, Italian, Spanish, and French material, there are striking and fresh approaches to Shakespeare and his contemporaries -- to the origins of mixed genre in English, to the development of Shakespearean and Fletcherian drama, to periodization in Shakespeare's career, to the language of tragicomedy, and to the theological structure of genre. The collection concludes with two essays on Irish theatre and its interactions with the London stage, further evidence of the persistent and changing energy of tragicomedy in the period. Contributors: SARAH DEWAR-WATSON, MATTHEW TREHERNE, ROBERT HENKE, GERAINT EVANS, NICHOLAS HAMMOND, ROS KING, SUZANNE GOSSETT, GORDAN MCMULLAN, MICHAEL WINMORE, JONATHAN HOPE, MICHAEL NEILL, LUCY MUNRO, DEANA RANKIN
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Anbieter: Lawrence Jones Books, Ashmore, QLD, Australien
Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. x, 216pp, index. Or black cloth in jacket. Near new. A broad and innovative range of perspectives on the tragicomic drama of the renaissance. Chapters on Classical, Italian, Spanish and French literature; fresh approaches to Shakespeare and Fletcherian drama, to periodization in Shakespeare's career, to the language of tragicomedy and to the theological structure of the genre. Size: 8vo. Bestandsnummer des Verkäufers 031805
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Anbieter: Between The Boards, Connahs Quay, Vereinigtes Königreich
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st edition in fine/fine condition. Bestandsnummer des Verkäufers Le31
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