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“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.”
In this work, Nathalia Brodskaïa examines the contradictions of this late 19th century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.
Nathalia Brodskaïa is a curator at the State Hermitage Museum in St. Petersburg. She has published monographs on Rousseau, Renoir, Derain, Vlaminck, and Van Dongen, as well as many books on the Fauves and Naïve Art. She is currently working on a study of French painters at the end of the 19th and beginning of the 20th century.
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Buchbeschreibung 28.0 x 24.0cms, 200pp, colour illusts, fine hardback & dustwrapper The chapters are: the Impressionists & academic painting; the first Impressionist exhibition; Edouard Manet; Claude Monet; Pierre Auguste Renoir; Alfred Sisley: Camille Pissarro; Edward Degas: Berthe Morisot. Bestandsnummer des Verkäufers 125030
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Buchbeschreibung Hardcover. Zustand: Very Good +. Zustand des Schutzumschlags: Dustjacket Very Good. 199 large pages. Colour plates. Purple background dustjacket which has light/moderate wear to edges and corners. Very clean glossy pictorial hardback binding. Fine condition pages. Bestandsnummer des Verkäufers 721172
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