An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking.
In his 1971 short film, (nostalgia), American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph's combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narration—trying to remember the story that fits the image, trying to remember the image that fits the story... Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history—when (nostalgia) confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Rachel Moore is Lecturer in International Media for the Media and Communications Department at Goldsmiths, University of London. She is the author of Savage Theory: Cinema as Modern Magic and currently undertaking research on "The Film Archive of Natural-History," supported by the John Simon Guggenheim Foundation.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: HPB-Emerald, Dallas, TX, USA
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_478181919
Anzahl: 1 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 4013593-n
Anzahl: Mehr als 20 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Bestandsnummer des Verkäufers 9781846380013
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves USA, HEBRON, KY, USA
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9781846380013
Anzahl: Mehr als 20 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 4013593
Anzahl: Mehr als 20 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: As New. Unread copy in mint condition. Bestandsnummer des Verkäufers RH9781846380013
Anzahl: Mehr als 20 verfügbar
Anbieter: HPB-Diamond, Dallas, TX, USA
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_459228557
Anzahl: 1 verfügbar
Anbieter: ANARTIST, New York, NY, USA
Softcover, 88 pages, as new condition, clean and crisp, no internal marks. Bestandsnummer des Verkäufers HoFrAf15
Anzahl: 1 verfügbar
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking.In his 1971 short film, (nostalgia), American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph's combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narration-trying to remember the story that fits the image, trying to remember the image that fits the story. Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history-when (nostalgia) confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press. An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781846380013
Anbieter: Daedalus Books, Portland, OR, USA
Paperback. Zustand: Near Fine. Small remainder mark on bottom edge. A nice, bright copy. ; B&W Photographs; 8.1 X 5.8 X 0.4 inches; 88 pages. Bestandsnummer des Verkäufers 295521
Anzahl: 1 verfügbar