Adapted from When We Dead Awaken, the last play Henrik Ibsen wrote before his death. First staged in 1899, Ibsen's play is rarely performed, yet is one of his most extraordinary and deeply personal works.
Whilst holidaying with his young wife, the sculptor Rubek encounters his muse: a woman that he loved and left a lifetime ago. Over a series of heated encounters, the entire scroll of Rubek's life is unrolled in Ibsen's final – and most autobiographical – exploration of what it means to love and be loved.
Set within a mythical Nordic landscape, the play offers an explicit and merciless portrait of Ibsen as an ageing artist: restless with his art, his homeland and his married life.
Mike Poulton's play Judgement Day was first staged at The Print Room, London, in 2011.
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Henrik Ibsen (1828-1906) was a Norwegian playwright and theatre director. His plays include: Brand, Peer Gynt, A Doll’s House, Ghosts, An Enemy of the People, Hedda Gabler, Rosmersholm, The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken.
Mike Poulton is an award-winning dramatist whose many adaptations and translations for the stage include: Philippa Gregory's The Other Boleyn Girl (Chichester Festival Theatre, 2024); Robert Harris's Imperium (Royal Shakespeare Company); The York Mystery Plays (directed by Philip Breen at York Minster); Hilary Mantel's Wolf Hall and Bring Up the Bodies (directed by Jeremy Herrin for the Royal Shakespeare Company); Dickens’s A Tale of Two Cities (directed by James Dacre at the Royal & Derngate, Northampton); Fortune’s Fool (directed by Lucy Bailey at the Old Vic, London); Chekhov’s Uncle Vanya (directed by Lucy Bailey at The Print Room, London); Schiller’s Luise Miller (directed by Michael Grandage for the Donmar Warehouse, London); Anjin: The English Samurai (directed by Gregory Doran for Horipro in Tokyo); Malory’s Morte d’Arthur (directed by Gregory Doran for the Royal Shakespeare Company); Schiller’s Wallenstein (directed by Angus Jackson at Chichester Festival Theatre); Schiller’s Mary Stuart (directed by Terry Hands at Clwyd Theatr Cymru); Ibsen’s The Lady from the Sea (directed by Lucy Bailey at Birmingham Repertory Theatre); Chekhov’s The Cherry Orchard (directed by Philip Franks at Chichester Festival Theatre, and Terry Hands at Clwyd Theatr Cymru); Ibsen’s Rosmersholm (directed by Anthony Page at the Almeida Theatre, London); Strindberg’s The Father (directed by Angus Jackson at Chichester); Myrmidons (directed by Simon Coury at the Samuel Beckett Theatre, Dublin); and a two-part adaptation of Chaucer’s Canterbury Tales (directed by Gregory Doran for the Royal Shakespeare Company, and performed at the Swan Theatre, Stratford-upon-Avon, in the West End, and on tour of the US and Spain).
His acclaimed version of Schiller’s Don Carlos premiered at the Sheffield Crucible in a production directed by Michael Grandage with Derek Jacobi as King Philip II of Spain. It has since been widely performed, including by Rough Magic Theatre Company in Dublin (directed by Lynne Parker), and at the Göteborgs Stadsteater (directed by Eva Bergman). Other productions include Ibsen’s Hedda Gabler (West Yorkshire Playhouse/Liverpool Playhouse); Turgenev’s Fortune’s Fool (directed by Arthur Penn at the Music Box Theater, Broadway; nominated for a Tony Award for Best Play, and winner of seven major awards including the Tony Awards for Best Actor for Alan Bates and Best Featured Actor for Frank Langella); Uncle Vanya (directed by Michael Mayer at the Brooks Atkinson Theatre, Broadway; with Derek Jacobi, Roger Rees and Laura Linney); Three Sisters (directed by Bill Bryden at the Birmingham Rep; with Charles Dance); Ghosts (Theatre Royal Plymouth); The Seagull, Three Sisters, The Dance of Death and an adaptation of Euripides’ Ion (all directed by David Hunt at the Mercury Theatre, Colchester).
He was made an Associate Artist of the Royal Shakespeare Company in 2017.
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Paperback. Zustand: New. Adapted from When We Dead Awaken, the last play Henrik Ibsen wrote before his death. First staged in 1899, Ibsen's play is rarely performed, yet is one of his most extraordinary and deeply personal works.Whilst holidaying with his young wife, the sculptor Rubek encounters his muse: a woman that he loved and left a lifetime ago. Over a series of heated encounters, the entire scroll of Rubek's life is unrolled in Ibsen's final - and most autobiographical - exploration of what it means to love and be loved.Set within a mythical Nordic landscape, the play offers an explicit and merciless portrait of Ibsen as an ageing artist: restless with his art, his homeland and his married life.Mike Poulton's play Judgement Day was first staged at The Print Room, London, in 2011. Bestandsnummer des Verkäufers LU-9781848422414
Anbieter: Rarewaves USA United, OSWEGO, IL, USA
Paperback. Zustand: New. Adapted from When We Dead Awaken, the last play Henrik Ibsen wrote before his death. First staged in 1899, Ibsen's play is rarely performed, yet is one of his most extraordinary and deeply personal works.Whilst holidaying with his young wife, the sculptor Rubek encounters his muse: a woman that he loved and left a lifetime ago. Over a series of heated encounters, the entire scroll of Rubek's life is unrolled in Ibsen's final - and most autobiographical - exploration of what it means to love and be loved.Set within a mythical Nordic landscape, the play offers an explicit and merciless portrait of Ibsen as an ageing artist: restless with his art, his homeland and his married life.Mike Poulton's play Judgement Day was first staged at The Print Room, London, in 2011. Bestandsnummer des Verkäufers LU-9781848422414
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