Inhaltsangabe
A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.
At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia’s cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.
The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture – one that still resonates today.
Published to accompany a major exhibition at London’s Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.
Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Über die Autorin bzw. den Autor
Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Russian Avant-Garde Theatre: War, Revolution, and Design
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RUSSIAN AVANT-GARDE THEATRE: WAR, REVOLUTION & DESIGN
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Paperback. Zustand: Very Good. No jacket. Nick Hern Books, 2014. Paperback, ob4to, ix,418pp, illust. A good copy. 9781848424531/1.6uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading). Bestandsnummer des Verkäufers 370362
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Paperback. Zustand: Very Good. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russias cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design. The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture one that still resonates today. Published to accompany a major exhibition at Londons Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished. Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR007323311
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Paperback. Zustand: new. Paperback. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russias cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture one that still resonates today.Published to accompany a major exhibition at Londons Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work. A beautifully presented, landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781848424531
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Zustand: New. A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933. Editor(s): Bowlt, John. Num Pages: 450 pages. BIC Classification: 1DVUA; ACXD; ANH. Category: (G) General (US: Trade). Dimension: 234 x 242 x 30. Weight in Grams: 1538. . 2015. Paperback. . . . . Bestandsnummer des Verkäufers V9781848424531
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Paperback. Zustand: New. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia's cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture - one that still resonates today.Published to accompany a major exhibition at London's Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work. Bestandsnummer des Verkäufers LU-9781848424531
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