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Schwitters in Britain /anglais - Softcover

 
9781849760263: Schwitters in Britain /anglais
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Associated at various times with Dada, Constructivism and Surrealism, Schwitters produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned initially as an enemy alien in 1940 on the Isle of Man before eventually settling in the Lake District. The last eight years of his life, spent in Britain, were in fact intensely productive. His British-period work included collages which utilised London ephemera and American magazines. This period also saw the development of assemblages and sculptures based on found organic objects, culminating in his last great sculpture and installation, the Merzbarn in the Lake District, itself a continuation of the concept of the Hanover Merzbau, one of the key lost works of modern times. The book sees Schwitters not as an artist in isolation but as part of a network, both inside and outside the camps, of other refugee artists and figures in the European avant-garde. Co-curator Emma Chambers has written an overarching introductory essay on Schwitters' time in Britain, and Karin Orchard examines his late collages . A variety of contributors from both Britain and Germany consider Scwhitters' collages, sculpture, the construction of the Merzbarn, the relationship between abstraction and representation in his work, his writings and experience within internment camps, and his influence on succeeding generations of British artists.
Nota de la solapa:
Kurt Schwitters (1887-1948) was one of the most influential European avant-garde artists to come to prominence in the interwar years. Associated at various times with Dada, Constructivism and Surrealism, he produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. This book concentrates on Schwitters' lesser known late works,made during his time in Britain, but sets the scene by recounting and summarising his earlier achievements.

Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned as an enemy alien in 1940 on the Isle of Man. The last eight years of his life, spent in Britain, were in fact intensely productive. His British-period work included collages which utilised London ephemera and American magazines. This period also saw the development of assemblages and sculptures based on found organic objects, culminating in his last great sculpture and installation, the Merzbarn in the Lake District, itself a continuation of the concept of the Hanover Merzbau, one of the key lost works of modern times. The book sees Schwitters not as an artist in isolation but as part of a network, both inside and outside the camps, of other refugee artists and figures in the European avant-garde.

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  • VerlagTATE
  • Erscheinungsdatum2013
  • ISBN 10 1849760268
  • ISBN 13 9781849760263
  • EinbandTapa blanda
  • Anzahl der Seiten168

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Chambers, Emma & Orchard, Karin (Editors)
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Buchbeschreibung Paperback. Zustand: New. 168 pages, illustrated in colour. A New, pristine condition copy. Bestandsnummer des Verkäufers 095900

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SCHWITTERS, Kurt ] Emma Chambers, Karin Orchard (edit)
ISBN 10: 1849760268 ISBN 13: 9781849760263
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Buchbeschreibung SOFTCOVER. Zustand: New. No Jacket. 1st Edition. Large 4to. in colour printed stiff card covers, 168pp, colour plates, index etc CONDITION: NEW unread and unmarked copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS. Bestandsnummer des Verkäufers TH222064

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Verlag: Tate Publishing (2013)
ISBN 10: 1849760268 ISBN 13: 9781849760263
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