This fully illustrated publication accompanies the first exhibition in over three decades of a crucial phase of Jackson Pollock's work, referred to as the Black Pourings. This controversial body of black enamel and oil paintings are accompanied here by drawings that are regarded as his most important and productive as a draughtsman. A number of virtually unknown and rarely seen sculptures are also included, illuminating Pollock's experimentations with space, density and figuration.
Exhibition
Tate Liverpool, 30 June - 18 October 2015
Dallas Museum of Art, 15 November 2015 - 20 March 2016
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Gavin Delahunty is Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art. Jo Applin is Senior Lecturer in Modern and Contemporary Art, University of York. Michael Fried is J. R. Herbert Boone Chair in the Humanities, Johns Hopkins University. Stephanie Straine is Assistant Curator, Tate Liverpool.
This fully illustrated publication accompanies the first exhibition in over three decades of a crucial phase of Jackson Pollock's work, referred to as the Black Pourings. This controversial body of black enamel and oil paintings are accompanied here by drawings that are regarded as his most important and productive as a draughtsman. A number of virtually unknown and rarely seen sculptures are also included, illuminating Pollock's experimentations with space, density and figuration.
Exhibition
Tate Liverpool, 30 June - 18 October 2015
Dallas Museum of Art, 15 November 2015 - 20 March 2016
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Paperback. Zustand: new. Paperback. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. During the 1930s Heartfield's engagement with this medium produced some of the most visually arresting and politically hard-hitting artwork of the twentieth century, appropriating the widely-circulated propaganda of the time to create its total antithesis. John Heartfield began his career as a graphic designer for his brother's legendary publishing house Malik Verlag, at which time he also joined the German Communist Party for whom he created many satirical posters. However, his pre-eminence in photomontage was confirmed by the work he produced for the Communist weekly AIZ and Volks Illustrierte, creating 237 photomontages between 1930 and 1937. In his own words, he used 'laughter as a devastating weapon' to target the Nazi regime of violence and demagogy, but this in turn made he himself a target for Nazi scorn and censorship. In 1933 much of his work was destroyed when the Gestapo ransacked his studio, and the ensuing years saw him flee in exile around Europe where he continued to produce his brilliantly terrifying images. With an essay written by the author in his own inimitable style, the book includes over 150 full-colour reproductions of Heartfield's beautiful and powerful work, both in its original and printed forms, as well as documentary photographs and recollections from Heartfield's surviving family members. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781849763325
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Paperback. Zustand: new. Paperback. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. During the 1930s Heartfield's engagement with this medium produced some of the most visually arresting and politically hard-hitting artwork of the twentieth century, appropriating the widely-circulated propaganda of the time to create its total antithesis. John Heartfield began his career as a graphic designer for his brother's legendary publishing house Malik Verlag, at which time he also joined the German Communist Party for whom he created many satirical posters. However, his pre-eminence in photomontage was confirmed by the work he produced for the Communist weekly AIZ and Volks Illustrierte, creating 237 photomontages between 1930 and 1937. In his own words, he used 'laughter as a devastating weapon' to target the Nazi regime of violence and demagogy, but this in turn made he himself a target for Nazi scorn and censorship. In 1933 much of his work was destroyed when the Gestapo ransacked his studio, and the ensuing years saw him flee in exile around Europe where he continued to produce his brilliantly terrifying images. With an essay written by the author in his own inimitable style, the book includes over 150 full-colour reproductions of Heartfield's beautiful and powerful work, both in its original and printed forms, as well as documentary photographs and recollections from Heartfield's surviving family members. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781849763325
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Wrappers. Zustand: Near Fine. 160 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Texts in English. Mild shelfwear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Published on the occasion of the exhibition held from June 30-October 18, 2015 in Liverpool, and subsequently in Dallas from November 20, 2015-March 20, 2016. Bestandsnummer des Verkäufers 022213
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Paperback. Zustand: new. Paperback. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. During the 1930s Heartfield's engagement with this medium produced some of the most visually arresting and politically hard-hitting artwork of the twentieth century, appropriating the widely-circulated propaganda of the time to create its total antithesis. John Heartfield began his career as a graphic designer for his brother's legendary publishing house Malik Verlag, at which time he also joined the German Communist Party for whom he created many satirical posters. However, his pre-eminence in photomontage was confirmed by the work he produced for the Communist weekly AIZ and Volks Illustrierte, creating 237 photomontages between 1930 and 1937. In his own words, he used 'laughter as a devastating weapon' to target the Nazi regime of violence and demagogy, but this in turn made he himself a target for Nazi scorn and censorship. In 1933 much of his work was destroyed when the Gestapo ransacked his studio, and the ensuing years saw him flee in exile around Europe where he continued to produce his brilliantly terrifying images. With an essay written by the author in his own inimitable style, the book includes over 150 full-colour reproductions of Heartfield's beautiful and powerful work, both in its original and printed forms, as well as documentary photographs and recollections from Heartfield's surviving family members. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781849763325
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