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Inhaltsangabe
Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humor and improvisation of posing for the camera. The book explores three distinct strands of photographic practice: the documentation of performance works by artists such as Merce Cunningham; how performers and photographers, like mime Charles Deburau and French photographer Nadar, have collaborated; and the work of photographers who have a strong performative element to their practice, such as Charles Ray. It further explores the construction of self-identity in the work of artists such as Lee Friedlander, Cindy Sherman, and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. With some 300 images by more than 60 international artists, this is the definitive publication on photography and performance--two of the most popular and intriguing art forms of our time.
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Über die Autorin bzw. den Autor
Simon Baker has been curator of photography and international art at Tate since 2009. Fiontán Moran is an assistant curator at Tate Modern.
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A groundbreaking exploration of the longstanding relationship between performance art and photography
Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Featuring many of the most compelling and experimental photographers in history, it explores the works by artists such as Yves Klein, Yayoi Kusama, Nadar, Merce Cunningham, Charles Ray, Boris Mikhailov, Samuel Fosso, Cindy Sherman, Keith Arnatt and Masahisa Fukase. Edited by curator Simon Baker, this book provides fresh insight into the inter-relationship between performance and photography. With over 300 illustrations, this is the definitive publication on two of the most popular and intriguing art forms of our time.
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Performing for the Camera
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Performing for the Camera
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Performing for the Camera
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Tate Publishing, Limited, 2016
ISBN 10: 184976400X
ISBN 13: 9781849764001
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Performing for the Camera
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Performing for the Camera
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Paperback. Zustand: New. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time. Bestandsnummer des Verkäufers LU-9781849764001
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Performing for the Camera (Paperback)
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Paperback. Zustand: new. Paperback. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time. Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781849764001